RSU hosts cultural enrichment day

BY JAMI MURPHY
Former Reporter
04/06/2016 08:30 AM
CLAREMORE, Okla. – Rogers State University’s Native American Studies Program on March 5 hosted a cultural enrichment day where students and community members had the opportunity to make stickball sticks, stickball balls and traditional baskets.

Dr. Hugh Foley – a professor of fine arts at RSU, coordinator of the Native American Studies Program and Cherokee Promise scholar advisor – said it was the university’s 18th annual stickball and basket-making workshop. Foley said he works with Victor Wildcat, and adjunct Cherokee language instructor at RSU, who helps the participants make their crafts.

“I’ve known Victor for a long time, graduated Muskogee High together…He contacted me in the (19)90s. My class was on TV here at RSU… He said ‘hey we do stickball workshops. Want to do one at RSU?’ So we started doing it,” Foley said.

He added that his department reaches out to area schools and universities to offer them the opportunity to attend the cultural event.

“The most important thing is to continue these cultural traditions and life ways and hopefully instilling them in some young people who will be excited about them and want to continue on with them. There aren’t many opportunities like this around. It is free to the people that come here,” he said.
Cherokee Nation citizen Ty Martinez shows a pair of finished stickball sticks he made March 5 during a cultural enrichment day at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Kristen Thomas sews a ball used to play stickball during a cultural enrichment day on March 5 at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX
Cherokee Nation citizen Ty Martinez shows a pair of finished stickball sticks he made March 5 during a cultural enrichment day at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX

ᎦᎴᎼᎢ, ᎣᎦᎵᎰᎹ.– Rogers State University’s ᎠᏁᎯᏯ ᎠᎺᎵᎧ ᎤᎯᎦᏎᏍᏙᏗ ᎤᎾᏙᏢᎯ ᎾᎿ ᎠᏅᏱ ᎯᏍᎩᏁ ᎤᏂᏍᏆᎸᎡᎸ ᎾᏍᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᎠᏂᏤᎲᏍᏗᏍᎬ ᎢᎦ ᎾᎿ ᏗᎾᏕᎶᏆᏍᎩ ᎠᎴ ᏍᎦᏚᎩ ᎠᏁᎳ ᎾᎥ ᏗᏁᎯ ᎤᎾᏟᏅᏓᏕᎸ ᏧᏃᏢᏗ ᏗᎳᏍᎦᎸᏙᏗ, ᎠᎳᏍᎦᎸᏙᏗ ᎠᎴ ᏗᏔᎷᏣ. Dr. Hugh Foley-- ᏩᎦᎸᎳᏗᏴ ᏧᏕᎶᏆᎥ ᎤᎦᏙᎲᏒ ᎾᎿ RSU, ᎠᏓᏅᏖᎵᏙ ᎾᏍᎩ ᎠᏁᎯᏯ ᎠᎺᎵᎧ ᏗᎦᏎᏍᏙᏗ ᎤᎾᏙᏢᏒ ᎠᎴ ᏣᎳᎩ ᎤᏂᏚᏍᏛ ᏧᎾᏕᎶᏆᏍᏙᏗ ᏗᏍᏕᎵᏍᎩ-- ᎤᏛᏅ ᎾᏍᎩ ᏧᎾᏕᎶᏆᏍᏗ ᏁᎳᏚᏏᏁᏃ ᏙᏛᏃᏢᏂ ᏗᎳᏍᎦᎸᏙᏗ ᎠᎴ ᎳᎷᏣ ᏚᏂᎸᏫᏍᏓᏁᎮᏍᏗ. Foley ᎤᏛᏅ ᏚᏂᎸᏫᏍᏓᏁᎰᎾᏍᎩ Victor Wildcat, ᎠᎴ ᎢᏧᎳ ᎾᏅᏁᎰ ᏣᎳᎩ ᎦᏬᏂᎯᏍᏗ ᏗᏕᏲᎲᏍᎩ ᎾᎿ RSU, ᎾᏍᎩᎾ ᎠᏍᏕᎵᏍᎪ ᎾᏍᎩᎾ ᎪᏢᏅᏅᎢ.

“ᎪᎯᎦ ᏥᏲᎵᎦ ᏂᎨᏐ Victor, ᎫᏐ ᎦᎸᎳᏗ ᏧᎾᏕᎶᏆᏍᏗ ᏙᎩᏂᏍᏆᏛ…… ᏓᏳᏟᏃᎮᏢ ᎾᎿ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏐᏁᎳᏍᎪ ᏥᎨᏒᎢ. ᎾᎿ ᏕᎦᏕᏲᎲᏍᎬ ᎠᎾᏓᏴᎳᏛᏍᎬ ᎾᎿ RSU…… ᎤᏛᏅ ‘Ꭾ ᏗᎳᏍᎦᎸᏙᏗ ᏙᏦᏢᏍᎪᎢ. ᏣᏚᎵᏍ ᎤᏍᏆᎸᏗ ᎾᎿ RSU?’ ᎾᏍᎩᏃ ᎣᎦᎴᏅᎲᎢ ᏃᏣᏛᏁᎲᎢ,” ᎤᏛᏅ Foley.

ᎤᏁᏉᎥ ᎾᎿ ᏓᏕᏲᎲᏍᎬ ᎠᏙᏯᏅᎯᏗᏍᎪ ᎾᎿ ᏗᏐᎢ ᏧᎾᏕᎶᏆᏍᏗ ᎠᎴ ᏩᎦᎸᎳᏗᏴ ᏧᎾᏕᎶᏆᏍᏗ ᏓᏛᏛᎲᏍᎪ ᏳᎾᏚᎵ ᎤᏁᏓᏍᏗ ᎾᏍᎩ ᎠᏃᏢᏅᏍᎬᎢ.

“ᏭᎵᏍᎨᏗᏴ ᎯᎠ ᏂᎦᏯᎢᏐ ᎢᏳᎵᏍᏙᏗ ᎾᎿ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏄᏍᏛ ᎤᎾᏕᏅ ᏄᎾᏛᏁᎸ ᎠᎴ ᏄᏍᏛ ᎤᎾᏕᏅ ᎠᎴ ᎤᏃᎯᏳ ᎨᎳ ᏗᎾᏛᏍᎩ ᎤᏂᏍᏆᏂᎪᎯᏍᏗ ᎠᎴ ᎤᎾᏚᎵᏗ ᎤᏂᏫᏗ ᎤᎾᏕᎶᏆᏍᏗ ᎯᎠ. ᏞᏃ ᎤᎪᏓ ᏳᏙᏢ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎾᏕᎶᏆᏍᏗᎢ ᎠᎭᏂᏗᏢ. ᎠᏎᏊ ᎨᏐ ᎯᎠ ᎾᏍᎩᏊ ᏴᏫ ᏧᏂᎷᎯᏍᏗᎢ,” ᎠᏗᏍᎬᎢ.

ᏔᎵᏁ ᎢᏳᏍᏗ ᎾᎾᏛᏁᎲ, ᎤᏛᏅ, ᏧᎾᎵᎪᎯ, ᏗᏍᎦᏚᎩ ᎠᎴ ᏗᎾᏓᏘᏂᏙᎯ ᏓᏂᏏᎾᎲᏍᏗᏍᎪᎢ.

“ᏗᏏᎾᎲᏍᏙᏗ ᏗᎾᏕᎶᏆᏍᎩ ᎤᏃᏟᏍᏗ ᏕᏣᏂᎬᎬ ᎠᎾᏓᎵᏍᎪᎸᏗᏍᎩ ᎾᎿ ᏣᏤᎵ ᏍᎦᏚᎩ ᏓᏤᏢ ᎢᏳᎵᏍᏙᏗᎢ, ᎠᎴ ᎾᏍᎩᎾ ᏃᏣᏛᏁᎰᎢ ᎠᎴ ᎣᏍᏓ ᏃᏣᏛᏁᎰᎢ,” ᎠᏗᏍᎬ Foley.

Ty Martinez, ᏣᎳᎩ ᎠᏰᎵ ᎨᎳ ᎠᎴ ᏣᎳᎩ ᎤᏚᏍᏛ ᏧᏕᎶᏆᏍᏙᏗ, ᎤᏪᏅᏒ RSU ᎾᏍᎩ ᎤᎪᏛ ᎤᏕᎶᏆᏍᏗ ᎾᏍᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᎨᏒ ᎢᎦ ᏂᏓᏳᏓᎴᏅ ᎤᏴᏢᎢ ᎧᎸᎬ ᎢᏗᏢ ᏍᎦᏚᎩ ᎦᎸᎳᏗ ᏧᎾᏕᎶᏆᏍᏗ ᎾᎿ ᏓᎵᏆ. ᎤᏛᏅ ᎾᏍᏗ ᎾᎾᏛᏁᎲ ᏚᏬᏢᏅ ᎠᏂᏣᎳᎩ ᏧᏃᏢᏗ ᏗᎳᏍᎸᏙᏗ.

“ᎣᎦᏓᏈᎬ ᏙᏣᏠᏍᎬ ᎣᎦᎵᎪᏒ ᎾᎿ ᏣᎳᎩ ᎠᏚᎢᏍᏛ ᏧᎾᏕᎶᏆᏍᏙᏗ. ᏙᎪᏢᏅ ᏗᏣᎳᎩ ᏗᎳᏍᎦᎸᏙᏗ. ᏑᏟᎶᏓ ᎠᎴ ᏔᎵ ᎢᏳᏟᎶᏓ ᏙᎩᏱᎵᏙᎸ ᏙᏥᏍᏛᎪᏍᎬ ᏚᏳᎪᏛ ᏂᏙᏨᏁᎲᎢ,” ᎠᏗᏍᎬ Martinez. “ᏙᎬ ᎨᏒ ᏔᎵᏁ ᏕᎪᏢᎾ ᎯᎠ ᏗᎳᏍᎦᎸᏙᏗ, ᎢᎬᏱ ᏥᏓᏬᏢᏅ ᎠᏥᎳ ᎤᏣᏍᎦᏘ ᏣᏩᏋᏔᏅ ᎠᎴ ᏣᎩᏲᏢᏅ ᎡᎳᏗ ᎠᎦᏘ. ᏄᏓᎴ ᏣᏋᏔ ᎠᏥᎳ ᎤᏣᏍᎦᏘ Ꮎ ᏐᎢ, ᎠᏎᏃ ᎣᏍᏓ ᏓᎩᏱᎸᎭ ᎯᎠ.”

ᎤᏛᏅᏃ ᎢᎬᏱ ᏧᏬᏢᏅ ᏧᏁᎸᏙᏗ ᎨᏎᏍᏗ, ᏔᎵᏁ ᏧᏬᏢᏅ ᏴᏫ ᏧᏂᎪᏩᏛᏗ ᎨᏎᏍᏗ. “ᎦᏓᏅᏖ ᏯᏆᏚᎵ ᎾᎿ ᎪᎱᏍᏗ ᏗᏆᏟᎶᏍᏙᏗ ᎾᏍᎩ, ᏃᎴᏱᎩ ᏧᎵᏏᎦ ᏱᏂᏓᏋᏁᎸ ᎠᎴ ᏴᏫ ᏧᏂᎪᏩᏛᏗ ᏱᏓᏆᏙᏌᏗ. Ꮭ ᏙᏯᏆᏅᏔ ᎢᏗᏋᏗᎢ.”

Martinez ᎠᏗᏍᎬ ᎬᏗᏍᎬ ᎤᎪᏛ ᏃᏊ ᎤᏃᏢᏅ ᎬᏔᏂᏓᏍᏗ ᎤᎪᏛ ᎠᎯᏗᎨ, ᎠᏎᏃ ᎤᎪᏓ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎾᏍᎩᎾ ᎠᏂᏏᏴᏫᎭ ᎦᏬᏢᏅᎢ.

“ᎣᎩᏍᏕᎵᏍᎬ ᎣᎦᏅᏓᏗᏍᏗ ᏄᎾᏛᏁᎸ ᎠᎴ ᏂᏚᏅᏁᎸᎢ ᎪᎯᎩ,” ᎠᏗᏍᎬᎢ.

RSU ᎤᎬᏫᏳᎯ Larry Rice ᎤᏛᏅ ᎠᎵᎮᎵᎬ ᏗᎾᏕᎶᏆᏍᎩ ᏂᎬ ᏂᏙᏓᏳᎵᎶᏒ ᎠᏂᏙᎲ ᎯᎠ ᎾᎾᏛᏁᎲᎢ.

“ᎢᎦ ᎣᏍᏓ ᎠᏜᏅᏓᏗᏍᎬ ᎯᎠ ᏯᏛᏗᎢ. ᏗᎦᏙᏍᏙᏗ ᏓᏃᏢᏍᎬ ᎯᎠ ᏗᎳᏍᎦᎸᏙᏗ ᏓᏃᏢᏍᎬᎢ, ᎠᏠᏯᏍᏗ ᏍᏆᏞᏍᏗ. ᎾᏍᎩᏍᏊ ᏗᎦᏙᏍᏙᏗ ᏔᎷᏣ ᏓᏃᏢᏍᎬᎢ. ᏗᏃᏢᏍᎩᏃ ᎠᎴ ᏯᎾᏛᏁᎯ ᎾᏍᎩ ᎠᏂᎳᏍᏓᏢ ᎢᏳᎾᏛᏗ ᎢᎦ ᎤᏍᏆᏂᎪᏓ,” ᎠᏗᏍᎬᎢ.

ᎾᎿ ᏅᏓᏕᏆ ᎧᎸ, RSU ᏚᎤᏍᏆᎸᎡᎵ ᏐᎢ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏛᎠᏍᏆᎸᎯ ᎢᏧᎳᎭ ᎾᎿ ᎠᏂᎯᏯ ᎠᎺᎵᎧ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏏᏅᏓ. ᎤᎪᏛ ᎠᏕᎶᎰᎯᏍᏗ, email hfoley@rsu.edu.

CN opens new Jay health clinic

BY SHEILA STOGSDILL
Special Correspondent
04/04/2016 04:00 PM
JAY, Okla. – Principal Chief Bill John Baker had a hard time holding back his emotions on April 1 during the grand opening of a new health center located at 859 E. Melton Dr.

“This is our most glorious clinic,” Baker said referring to the new 42,000-square-foot Sam Hider Health Center.

The $14 million state-of-the-art clinic, located north of Jay, features a basket weave design in the bricks on the building and in the sunshades surrounding the building. The new health center almost doubles the size of the former 27-year-old medical building located at 1015 Washbourne, which is 26,000 square feet.

“I believe we have the best health care in Indian Country,” Baker said. “We will soon have the best health care in the state of Oklahoma.”

The new Sam Hider Health Center is the fourth and final project completed under a $100 million health care capital improvement plan using casino profits.
Video with default Cherokee Phoenix Frame
Health Services Executive Director Connie Davis speaks at the April 1 grand opening of the Cherokee Nation’s new Sam Hider Health Center in Jay, Oklahoma. The $14 million facility is located at 859 E. Melton Drive. SHEILA STOGSDILL/SPECIAL CORRESPONDENT Cherokee Nation dignitaries cut the ribbon opening the new Sam Hider Health Center in Jay, Oklahoma. From left, in view, are Deputy Chief S. Joe Crittenden, Principal Chief Bill John Baker, Cherokee traditionalist Crosslin Smith, Health Services Executive Director Connie Davis and Tribal Councilor Joe Byrd. SHEILA STOGSDILL/SPECIAL CORRESPONDENT
Health Services Executive Director Connie Davis speaks at the April 1 grand opening of the Cherokee Nation’s new Sam Hider Health Center in Jay, Oklahoma. The $14 million facility is located at 859 E. Melton Drive. SHEILA STOGSDILL/SPECIAL CORRESPONDENT

ᏜᏱᎪ, ᎣᎦᎵᎰᎹ. – ᎤᎬᏫᏳᎯ Bill John Baker ᎡᎵ ᏍᏓᏯ ᏄᎵᏍᏓᏁᎲ ᎤᏣᏘ ᎠᎵᎮᎵᎬ ᎾᎿ ᎧᏬᏂ ᎢᎬᏱ ᎾᏍᎩ ᎩᎳ ᎤᏂᏍᏚᎢᏒ ᎢᏤ ᎥᏱᎸ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎤᏙᏢᏒᏃ ᎾᎿ 859 E. Melton Dr.

“ᎯᎠ ᏭᏬᏚᏒᎢ ᎤᎾᏓᎪᎵᏱᏗᎢ,” ᎠᏗᏍᎬ Baker ᎧᏃᎮᏍᎬ ᎾᏍᎩ ᎢᏤ ᏅᎩᏍᎪ ᏔᎵ ᏯᎦᏴᎵ ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ ᎾᎿ ᏣᎾᏏᎾ ᏗᎦᏚᎾᎢ ᎨᏱᎸ ᏄᏛᎾᏕᎬ ᎤᎾᏓᎪᎮᏱᏗᎢ ᎠᏰᏟ.

ᎯᎠ ᏂᎦᏚ ᎢᏳᏆᏗᏅᏓ ᎤᏬᏚᏨ ᏲᏓᏂᎵ ᎤᎾᏓᎪᎵᏱᏗᎢ, ᎾᎿ ᎠᏓᏁᎸᎢ ᎤᏴᏢᎢᏗᏢ ᏜᏱᎪ, ᏂᎬᏅ ᏙᏯᏗᏢ ᎾᏍᎩᏯ ᏔᎷᏣ ᎬᏅᎢ ᏂᏕᎬᎾ ᏗᎬᏓᏅᎢ ᏂᏕᎬᏅᏛ ᎠᏓᏁᎸ ᎠᎴ ᏓᏓᏩᏛᎯᏍᏗ ᎬᏩᏕᏯᏛ ᎠᏓᏁᎸᎢ. ᎯᎢᎾ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎤᏙᏢᏒ ᎠᏓᏁᎸᎢ. ᎾᎿ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎠᎴᏊ ᏔᎵ ᎢᏳᏩᎫᏓ ᎤᏔᎾ ᎾᏃ ᎤᏪᏘ ᏔᎵᏍᎪ ᎦᎵᏉᎩ ᎢᏳᏕᏘᏴᏓ ᎤᏪᏘ ᏧᎾᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗ ᏣᏓᏁᎸ ᎾᎿ 1015 Washbourne, ᎾᏍᎩ ᏔᎵᏍᎪ ᏑᏓᎵ ᎢᏍᎪᎯᏧᏈ ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ.

“ᎠᏉᎯᏳ ᎾᏍᎩ ᏬᏌᏂᏴ ᎢᎦᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗ ᎾᎿ ᎠᏂᏴᏫᏯ ᏍᎦᏚᎩ,” ᎠᏗᏍᎬ Baker. “ᎾᏞᎬ ᏕᎦᏓᏁᎴᏍᏗ ᏫᏩᏙᏌᏂᏴ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎾᎿ ᏍᎦᏚᎩ ᎣᎦᎵᎰᎹ.”

ᎾᏍᎩᎾ ᎢᏤ ᏣᎾᏏᎾ ᏗᎦᏚᎾ ᎤᎾᏓᎪᎮᏱᏗ ᏲᏓᏂᎵ ᎠᏰᏟ ᎾᏍᎩ ᏅᎩᏁ ᎠᎴ ᎾᏍᎩᎾᎢᎩ ᎤᏂᎲ ᎤᏂᏍᏆᏙᏅ ᎾᏍᎩᎾ ᏌᏊ ᎢᏳᏆᏗᏅᏓ ᏲᏓᏂᎵ ᏧᎾᏁᏍᏙᏗ ᏓᏤᏢ ᎢᏗᎬᏁᏗ ᎢᏛᏗᏍᎬ ᏧᏂᏆᏂᏲᏍᏗ ᎤᏁᏉᏨᎢ ᎨᏒᎢ.

ᎠᏅᏗᏍᎬ ᎾᏍᎩ ᏩᏥᏂ ᏴᏫ ᎠᏰᎸ ᏄᏍᏗᏕᎬ ᎤᎾᏓᎪᎵᏱᏗ ᏧᏄᎪᏔᏅ Ꭴ.ᏁᏨᎢ, ᏣᎳᎩ ᎠᏰᎵ ᎾᎿ ᏓᏂᎩᏍᎨᏍᏗ ᏁᎵᏍᎪᏐᏁᎳ ᎢᏳᏆᏗᏅᏓ ᏑᏕᏘᏴᏓ ᎢᏳᏓᎵ ᎧᏁᏨᎢ ᎾᏍᎩ ᎢᏳᏅᏙᏗ, ᎠᏗᏍᎬ Baker.

Baker ᎾᏍᏊ ᎤᏁᏍᏔᏅ ᏚᏄᎪᏛ ᎾᎿ 459,000-ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ ᎠᏔᏃᎯᏍᏙᏗ ᎾᎿ W.W ᎮᏍᏗᏂ ᏧᏂᏢᎩ ᎾᎿ ᏓᎵᏆ ᎠᎴ ᎾᏍᎩ ᎠᏂᎳᏍᏓᏢ ᎤᏅᏌ ᎤᎾᏤᎵ ᎠᎴ ᎤᎾᏓᏁᎵ ᎢᏳᎵᏍᏙᏗ ᏅᏬᏘ ᏄᏍᏛ ᏂᎦᎵᏍᏗᏍᎬ ᏧᎾᏕᎶᏆᏍᏗᎢ.

“ᎢᎬᏌ ᎠᎭᏂ ᎤᎾᏕᎶᏆᏍᏗ ᎠᏂᏣᎳᎩ ᎠᏂᎦᎾᎦᏘ ᏧᏂᏍᏕᎸᎯᏓᏍᏗ ᏗᎦᏤᎵ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ,” ᎠᏗᏍᎬ Baker ᎠᎴ ᎤᎶᏒᏍᏗ ᎠᎵᎮᎵᎬ ᏚᏠᏯᏍᏗᏍᎬᎢ.

ᏗᎪᏪᎵᏍᎩ ᎾᎿ ᏍᎦᏚᎩ Chuck Hoskin Jr. ᎠᎴ Baker ᎠᏂᎸᏉᏗᏍᎬ ᎾᎿ ᏣᎳᎩ ᎤᏃᏢᏅᏅ ᏗᏟᎶᏍᏔᏅ ᏂᎬᎾ ᏙᏯᏗᏝ, ᏧᏓᎴᏅᏓ ᎪᎯᎦ ᏥᎨᏒ ᎤᏅᏔᏅᏅ ᎠᎴ ᎤᎵᏍᏔᏅᏅ ᎠᏆᏅᎩᏱ ᏍᎦᏚᎩ ᏗᏟᎶᏍᏔᏅ ᎾᎿ ᎬᏂᎨᏒ ᏗᎪᏩᏛᏗ ᏚᏂᏝᎭ ᎤᎪᏓ ᎾᎿ ᎠᏰᏟ.

Hoskin ᎾᏍᏊ ᎤᎵᎮᎵᏍᏔᏅ Ella Cummings, ᏣᎾᏏᎾ ᏗᎦᏚᎾ ᎤᏪᏣ ᎠᎨᏯ, ᎾᎿ ᎡᏙᎲᎢ.

ᎾᏍᎩ ᎢᏤ Sam Hider ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎠᏰᏟ ᎾᏍᎩᏍᏊ ᎠᎾᎵᎮᎵᎦ ᎠᏰᎸ ᏙᎯ ᎢᎬᏁᏗᎢ ᎤᏃᏢᎯ, ᎾᏍᎩᏃ Ꮭ ᎾᏍᎩ ᏱᏂᎬᏁ ᎤᏪᏘ ᎤᎾᏓᎪᎵᏱᏗᎢ ᏧᏃᏢᏒᎢ.

“ᏃᏊ ᎣᎩᏲᎭ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᎸᏫᏍᏓᏁᎯ ᎢᏯᏛᏁᎯ,” ᎥᏱᎸ ᎤᎦᏎᏍᏗᏕᎦ Executive Director Connie Davis ᎠᏗᏍᎬᎢ.

ᏧᏩᎪᏔᏅᏒ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᎩᏍᏓ ᏱᎩ ᏧᏂᏢᎦ ᎠᏎ ᏓᎵᏆ ᏭᏁᏓᏍᏗ ᏂᎦᎵᏍᏗᏍᎬᎢ.

“ᎯᎠ ᎤᎪᏕᏍᏗ ᎤᏂᎮᏍᏗ ᏧᏂᏍᏕᎸᏗ, ᎠᎴ ᎤᎪᏛ ᏗᎬᏩᏂᏍᏕᎸᏗ ᎪᎱᏍᏗ ᎤᏂᏐᏅᏅ ᎠᎴ ᏳᏁᎯᏍᏓᏁ ᎢᎸᏢ,” ᎠᏗᏍᎬ Davis.

ᎧᏁᏉᏓ, ᎾᎿ ᎢᏤ ᎤᏙᏢᏒ ᏧᏓᎴᏅᏓ ᎤᎪᏓ ᎠᎴ ᎤᏟᏍᏗ ᎢᎬᏛᏗ ᎤᏂᏂᎬᎬ, ᏓᏂᏅᏙᎬ, ᏗᏂᎦᏙᎵ, ᏄᏍᏛ ᎤᎾᏓᏅᏖᏗ, ᏓᏂᎷᎬ ᏧᏂᏍᏨᎸᏗ, ᏅᏬᏘ ᎾᎿ ᎪᏪᎵ ᏗᎦᏂᏙᎯ ᎬᏩᏲᎯᏍᏗ ᎬᏩᎾᏓᏅᏍᏗ, ᎤᎪᏛ ᎬᏩᎾᏛᏗ ᏅᏬᏘ ᎨᏒ, ᎠᎵᏍᏓᏴᏗ, WIC, ᎪᏪᎵ ᏗᎬᏩᏂᏅᏁᏗ ᎤᏣᏘᏂ ᎦᎾᎦᏘ ᎬᏩᏂᎪᏩᏛᏗ ᎠᎴ ᎧᎵᏎᏥ ᎤᏁᎯ ᏗᎬᏩᏂᏍᏕᎸᏗ.

ᏗᎦᎳᏫᎦ Harley Buzzard ᎾᏍᏊ ᎤᏬᏂᏒ, ᎤᏃᎮᏢ ᎢᎦᏓ ᏅᎵᏍᏔᏅᏍᏔᏅ ᎾᎿ ᏧᏙᏢᏒᎢ ᎾᎿ ᏜᏱᎪ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏓᏂᎵ ᎠᎴ ᏗᎵᎮᎵᏤᏗ ᎾᏍᎩ ᎤᏓᏅᏖᎸ ᎤᏬᏢᏅ ᎾᎿ ᏙᏯᏗᏢ ᏂᎬᏅ ᎠᏓᏁᎸᎢ.

“ᎣᏂᎯᎨᏍᏗ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏑᏓᎵᏍᎪᎯ ᎾᎿ ᎤᎾᏓᎪᎵᏱᏗ ᏥᎪᏢᏒ ᏗᎦᎾᏗᏫᏒ ᎤᏅᏎᏴ ᏧᎾᏓᏱᎵᏓᏍᏗᎢ. ᎾᏍᎩᏃ ᏐᏁᎳᏗ ᎢᏍᎪᎯᏧᏈ ᎦᎵᏆᏍᎪ ᏔᎵ ᎤᏂᎲᏒ ᎾᏍᎩ ᏃᏊ ᏥᎩ ᎦᏚᎲ ᏄᏂᎬᏩᏳᏌᏕᎦ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᏴᏍᏗᎢ, ᎠᎴ ᎾᎿ ᏐᏁᎳᏚ ᏁᎵᏍᎪ ᏐᏁᎳ ᎤᏕᏘᏴᏌᏗᏒ ᏧᏂᎲᏒ ᎾᎿ ᏧᏂᏢᎩ ᏧᏙᏢᏒᎢ ᎠᎴ ᏃᏊ ᎤᏬᏚᏨ ᎠᏓᏁᎸᎢ ᎢᎪᏢᎭ. ᎾᏍᎩ ᎯᎢᎾ ᎢᎦᏓᏁᎸ ᎠᎴ ᎧᏁᏉᏓ ᎤᎪᏛᏯᎾᏛᏁᎯ ᎠᎴ ᎤᎪᏛ ᏅᏬᏘ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎯᎠ ᎢᎦ ᎤᎪᏗᏓ ᏓᏤᏞᏍᏗ ᎠᎴ ᎤᎾᏓᏍᏕᎸᏗ ᎤᎪᏕᏍᏗ ᏓᏤᏞᏍᏗ ᎾᎿ ᏗᎦᏤᎵ ᎠᏂᏴᏫ,” ᎤᏛᏅ Buzzard. “ᎢᏤᎵᎢᏛ ᎾᎿ ᏙᏯᏗᏝ ᎾᏍᎩ ᎤᏠᏯ ᏔᎷᏣ ᎬᏅᎢ ᎠᎴ ᏧᏓᎴᏅᏓ ᏗᏟᎶᏍᏔᏅ ᏃᎴ ᏧᎾᏓᏟᎶᏍᏔᏅ ᏂᎬᎢ ᎤᎾᏓᎪᎵᏱᏗᎢ ᎠᎪᏩᏛᏗ ᎾᏍᎩ ᏗᎦᏤᎵ ᎠᏂᏴᏫ ᏄᏍᏛ ᏄᎾᏛᏁᎸᏍᏔᏅᎢ. ᎠᏓᏅᏓᏗᏍᏗᏍᎪ ᎾᏍᎩ ᏳᎦᎶᏏ ᎠᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗᎢ ᎤᎪᏓ ᏏᏓᏁᎸ ᏧᎾᏓᏟᎶᏍᏔᏅ ᎠᎭᏂ ᎠᏁᎯ ᏗᎪᏩᏛᏗ ᏚᏂᏝᎲ ᎠᎴ ᎾᏍᏊ ᎪᎱᏍᏗ ᏗᏨᎾ ᏱᎩ. ᎠᏆᏚᎵ ᎠᏔᎵᎭ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᏚᎾᏙᎥ Sage Butler, Vickie Blackwood, Josie Jones ᎠᎴ ᏂᎦᏓ ᎠᏂᏐᎢ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎾᎿ ᎣᏍᏓ ᎤᎪᏓ ᏧᏂᎸᏫᏍᏓᏁᎸᎢ.”

ᎾᎿ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᎤᏕᏘᏴᏌᏗᏒ, Ꮎ ᏐᎢ ᏜᏱᎪ ᎤᎾᏓᎪᎵᏱᏗ ᏥᏚᏗᎲᎢ ᎯᎠ ᎾᏂᎥ ᏚᏂᎪᎵᏱᎥ ᎦᎵᏆᏍᎪ ᎦᎵᏉᎩ ᎢᏯᎦᏴᎵ ᎠᎴ ᏅᏬᏘ ᏚᏂᏁᎸ 154,000 ᏚᏂᏁᎸᎢ.

ᏃᎴᏍᏊ ᏣᎳᎩ ᎠᏰᎵ ᎤᏍᏚᎢᏒ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎾᎿ Ochelata ᎠᎴ ᏚᎾᏔᏃᎯᏍᏔᏅ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᏚᏙᏢᏒ ᎾᎿ ᏌᎷᎾᎨᏴ ᎠᎴ ᏍᏗᎵᏪᎵ ᎾᎿ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᎤᏕᏘᏴᏌᏗᏒᎢ.

Tribe, CNE break ground on Grove casino

BY SHEILA STOGSDILL
Special Correspondent
03/29/2016 12:00 PM
GROVE, Okla. – A $23 million Grove casino is expected to bring in nearly 200 jobs to the Grove and Grand Lake area, Principal Chief Bill John Baker said during a groundbreaking ceremony for the tribe’s newest casino, Cherokee Casino Grove.

Many Cherokee Nation dignitaries, as well as Grove and Grand Lake officials, participated in the March 28 ceremony at the proposed site, which is on U.S. 59 Highway near a cutoff road to Monkey Island, approximately 10 miles north of Shangri La Golf Club, Resort and Marina.

“One hundred and seventy-five jobs is more important than 1,000 jobs,” Baker said referring to the Tulsa-based Williams Cos. proposed merger that will reduce its workforce.

The 39,000-square-foot casino is expected to bring 175 jobs to the area, and be completed this winter, Baker said during the ceremony.

“Our entertainment division consistently brings to the market the best jobs and the best entertainment options,” Baker said. “The jobs created by this venue drive our economy, and the financial success of our businesses is reinvested throughout northeast Oklahoma to provide a better quality of life for the Cherokee people.”
An artist’s rendering of the front entrance of the Cherokee Casino Grove. The casino will be Cherokee Nation Entertainment’s 10th casino and second in Delaware County. COURTESY Deputy Chief S. Joe Crittenden, Principal Chief Bill John Baker and Cherokee traditionalist Crosslin Smith wait to turn dirt for the Cherokee Casino Grove groundbreaking ceremony on March 28 in Grove, Oklahoma. The casino is expected to create 175 jobs in the area. SHEILA STOGSDILL/SPECIAL CORRESPONDENT An artist’s rendering of the Cherokee Casino Grove and its parking lot. The 39,000-square-foot casino is expected to bring 175 jobs to the area, and be completed this winter. COURTESY
An artist’s rendering of the front entrance of the Cherokee Casino Grove. The casino will be Cherokee Nation Entertainment’s 10th casino and second in Delaware County. COURTESY

ᏧᏍᏕᏄᎲᎢ, ᎣᎦᎳᎰᎹ. – ᎾᏍᎩᏃ $23 ᎢᏳᏩᏗᏅᏓ ᏧᎬᏩᎶᏗ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᏓᏛᏅᎢᏍᏕᏍᏗ 200 ᏱᎦᎢ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎥᎿᎾᏂ ᏧᏍᏕᏄᎲᎢ ᎠᎴ Grand Lake ᎾᎥᎢ, ᏄᎬᏫᏳᏒᎢ ᎤᎬᏫᏳᎯ Bill John Baker Z ᎢᏳᏪᏓ ᎾᎯᏳ ᎦᏓ ᏣᏂᏲᏍᏗᎲᎢ ᎾᏍᎩ Ꮎ ᎠᏂᎳᏍᏓᏢᎢ ᏩᏤᎯᏴᎢ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᎤᏃᏢᏒᎢ, ᏣᎳᎩ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᏧᏍᏕᏄᎲᎢ.

ᎤᏂᎪᏗᏃ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏂᏍᎦᏰᎬᏍᏗ, ᎠᎴ ᎾᏍᏊ ᏧᏍᏕᏄᎲᎢ ᎠᎴ Grand Lake ᏄᏂᎬᏫᏳᏒᎢ, ᎠᏁᎸᎢ ᎾᎯᏳᎢ ᏥᎨᏒᎢ ᎠᏅᏱ 28 ᎥᎿᎾᏂ ᏧᏙᏢᏒᎢ, ᎥᎿᎾᏃ U.S. 59 ᎤᏔᎾ ᎦᏅᏅᎢ ᏥᏳᏗᏊ ᏫᎦᎶᎯᏍᏗ ᎥᎿᎾᏂ ᏗᏜ Monkey Island, 10 Ꮓ ᎢᏳᏟᎶᏓ ᎤᏴᏢᎢ ᎤᏟᏗᏢᎢ Shangri La Golf Club, ᎤᏂᏣᏘ ᎤᏁᏓᏍᏗᎢ ᎠᎴ ᏥᏳ ᏧᏂᏔᎳᏗᏍᏗᎢ.

“ᏍᎪᎯᏧᏈ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩ ᏱᎦᎢ ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᎾᏍᎩ ᎤᎪᏗ ᏒᎵᏍᎨᏗᏯ ᎠᏏᏅ 1,000 ᏗᎦᎬᎸᏫᏍᏁᏗ,” ᎠᏗᏍᎬᎢ Baker ᎾᏍᎩᏃ ᎢᎧᏁᎢᏍᏗᏍᎬᎢ Ꮎ Tulsa-Based Williams Cos. ᏗᎫᎪᏔᏅᎢᎯ ᏌᏉ ᎢᏳᎵᏍᏙᏗᎢ ᎾᏍᎩᏃ ᏯᎦᏲᎶᎦ ᏧᏂᎸᏫᏍᏓᏁᎯ.

ᎾᏍᎩᏃ 39,000-ᏱᎳᏏᏗ-ᏅᎩ ᏧᏅᏏᏱ ᏧᏂᏆᏂᏲᎯᏍᏗ 175 ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᏙᏛᏙᏢᏂ ᎥᎿᎾᏂ ᎡᏍᎦᏂ, ᎠᎴ ᎯᎠ ᎪᎳ ᏥᎨᏎᏍᏗ ᎠᏍᏆᏕᏍᏗ, ᎠᏗᏍᎬᎢ Baker ᎾᎯᏳ.

“ᎢᎦᏤᎵᎢ entertainment division ᏂᎬᎯᎵᏐᎢ ᏧᎬᏩᎶᏗ ᎦᎷᎩ ᎾᏍᎩᏃ ᏫᏓᏤᏢᎢ ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᎠᎴ ᎾᏍᎩ ᏫᏓᏤᏢᎢ entertainment ᎬᏑᏰᏍᏗ,” ᎠᏗᎡᏍᎬᎢ Baker. “ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏚᏙᏢᎾ ᎾᏍᎩᏃ ᎯᎠ ᎤᏙᏢᏒᎢ ᎦᏌᏙᏍᎩ ᎢᎦᏤᎵᎢ ᏧᎬᏩᎶᏗ, ᎠᎴ Ꮓ ᏧᎬᏩᎶᏗ ᎠᏙᎷᏩᏘᏍᎬ ᎾᏍᎩ ᎢᎦᏤᎵᎢ ᏗᎦᎸᏫᏍᏓᏁᏗᎢ ᎾᏍᎩᏃ ᎤᏁᏉᎠ ᏂᎦᏅᎯᏒᎢ ᎤᏴᏢᎢᎧᎸᎬᎢ ᏗᏜ ᎣᎦᎳᎰᎹ ᎾᏍᎩ ᎠᎵᏍᎪᏟᏗᏍᎬᎢ ᏓᏤᏢᎢ ᎤᎾᏕᏗᎢ ᎠᏂᏣᎳᎩ.”

ᎯᎠᏃ ᎾᏍᎩ 10TH ᏣᎳᎩᎯ ᎠᏰᎵ Entertainment ᏧᏂᏆᏂᏲᎯᏍᏗ ᏥᏚᏙᏢᎭ ᎠᎴ ᎾᏍᎩ ᏔᎵᏁᎢ ᎥᎿᎾᏂ ᎠᏆᏂᎩᎢ ᏍᎦᏚᎩ. CNE ᎠᎴ ᎾᏍᎩᏊ ᎤᏂᎩᏍᏗᏗ ᎾᏍᎩ Ꮓ Ꮎ ᏥᎪᏢᎭ ᎥᎿᎾᏂ ᎤᏕᎵᎬᎢ ᏅᏬᏘᎢ ᏗᎦᏄᎪᎬᎢ ᎥᎿᎾᏂ ᎤᎦᏅᏮᎢ ᏗᏜ ᏍᎦᏚᎩ. ᎾᏍᎩᏃ ᏧᏍᏕᏄᎲᎢ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᎾᏍᎩᏃ ᏥᎩ ᏦᎢᏁᏃ ᎨᏎᏍᏗ ᎥᎿᎾᏂ ᏍᎦᏚᎩ ᎠᎴᎾᏍᎩᏊ ᎠᏂᏏᏂᎩ-ᎧᏳᎦ ᎠᏂᎳᏍᏓᏢᎢ ᎤᎾᏂᎩᏍᏗ Grand Lake ᏧᏂᏆᏂᏲᎯᏍᏗ ᎥᎿ ᏧᏍᏕᏄᎲᎢ.

ᎾᏍᎩᏃ ᏣᎳᎩ ᏧᏂᏆᏂᏲᎯᏍᏗ ᏧᏍᏕᏄᎲᎢ ᏄᏍᏗᏓᏅᎢ ᎾᏍᎩ ᎠᏠᏯᏍᏓ 400 ᎠᎾᎦᎵᏍᎩ ᏧᏂᎩᏍᏗ ᏗᏁᏟᏙᏗ, ᏗᎦᏍᎩᎶᎩ ᏗᏁᏟᏙᏗ, ᎠᎴ ᎤᏕᎵᏓ ᎦᎸᎳᏗ ᏧᎬᏩᎶᏗ ᏧᏂᏆᏂᏲᏍᏗ ᎧᏅᏑᎳ, ᏧᎾᎵᏍᏓᏰᏗ, ᏧᎾᏗ-ᏔᏍᏗᎢ, ᏧᏂᏃᎩᏍᏗᎢ ᎤᏙᏢᏎᏍᏗ, ᎤᎾᎵᏍᎩᏍᏗ ᎠᏲᏓᏝᎲᎢ ᎠᎴ ᎦᎵᏦᏕᎢ ᎤᎵᏍᎪᏟᏔᏅᎢ ᎠᏓᏴᏍᏕᏍᏗᏍᎩ ᏂᎨᏒᎾ ᏗᏗᏔᏍᏗ. ᎾᏍᎩZ rustic, lodge-ᎢᏳᏍᏗ ᎤᏙᏢᏒᎢ ᎠᎵᏍᎪᏟᏗᏍᎨᏍᏗ ᎪᎱᏍᏗ ᎤᏂᏍᏆᎸᎡᏗᎢ ᎠᎴ ᎤᏕᎵᏓ ᎠᎴ ᏍᎦᏚᎩ ᎪᎱᏍᏗ ᎤᏂᏍᏆᎸᎡᏗᎢ ᎤᏙᏢᏎᏍᏗ ᎠᎴ ᏙᏱ ᏗᏜ ᎤᎾᏅᏗᎢ ᎠᏲᏓᏞᏍᏗ.

“ᎾᏍᎩᏃ ᎪᎯᎩᏊ ᏃᎦᏚᎵᏍᎪᎢ ᎥᎿᎾᏂ ᏧᏍᏕᏄᎲᎢ,” Shawn Slaton, CEO ᎥᎿᎾᏂ ᏣᎳᎩ ᎠᏰᎵ ᏗᎬᎦᎸᏫᏍᏓᏁᏗᎢ, ᎾᏍᎩ ᎾᏊ ᎤᏙᏢᏒᎢ ᎥᎿ CNE, ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ ᎠᎹᏳᏟᏗ ᏍᎦᏚᎩ ᎤᏙᏢᏒᎢ ᎾᏍᎩᏃ ᏙᏳᎢ ᎤᏬᏚᎯ ᏂᏗᎦᎵᏍᏙᏗᎭ Ꮩ ᎠᏕᏗᎢ, ᎾᏍᎩᏍᎩᏂᏃ Ꮎ ᏧᏂᏆᏂᏲᎯᏍᏗ ᎠᎵᏍᎪᏟᏗᎭ ᎠᎴ ᏙᎯ ᎡᏓᏍᏗᎢ ᎾᏍᎩᏃ ᏂᎬᏫᏍᏕᏍᏗ ᎠᎴ ᎠᏲᎯᎮᏍᏗ ᎾᏍᎩ ᏫᏓᏤᏢᎢ entertainment ᎥᎿᎾᏂ ᎡᏍᎦᏂ.”

Baker Z ᎢᎧᏃᎮᏍᎬᎢ ᎤᏩᎬᏗᏗᏒᏃ ᎠᏠᏯᏍᏕᏍᏗ ᏧᏂᏒᏍᏗᎢ.

ᎾᏍᎩᏃ CN ᎤᎾᎴᏅᎲᏃ entertainment ᏗᎦᎸᏫᏍᏓᏁᏗ ᎾᎯᏳᎢ ᏥᎨᏒᎢ 1990 ᎠᎴ Ꮓ ᎾᏊ 3,700 ᎢᏯᏂ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎥᎿᎾᏂ entertainment ᎠᎴ hospitality division. ᎾᏍᎩᏃ ᏚᏂᎩᏏᏓ Hard Rock ᏧᏂᏒᏍᏗ & ᏧᏂᏆᏂᏲᏍᏗ Tulsa ᎥᎿᎾᏂ ᎦᏚᏌ, ᎠᎴ ᏧᏁᎳ ᏂᏚᏓᎴᎢ ᏣᎳᎩᎯ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ, ᎠᎴ ᏐᏈᎵ ᏧᎾᏙᎩᏯᏍᏗ, ᏦᎢ golf courses ᎠᎴ ᏗᏐᎢ ᏚᏙᏢᏒᎢ.

https://www.facebook.com/CASA-of-Cherokee-Country-184365501631027/

Chunestudy feels at home as CHC curator

BY ROGER GRAHAM
Multimedia Producer – @cp_rgraham
01/28/2016 02:00 PM
PARK HILL, Okla. – After more than a decade, the Cherokee Heritage Center has a new curator. One who is familiar with the center after having worked at it before.

Callie Chunestudy, 34, took over the position on Nov. 9 after former CHC Curator Mickel Yantz accepted a job with the Sherwin Miller Museum of Jewish Art in Tulsa.

Chunestudy is a graduate of Northeastern State University with a bachelor’s degree in fine arts.

“The Heritage Center has always held a big place in my heart. It’s where I worked at 16 on (Cherokee Nation) Summer Youth (Employment Program) and at 18 for the pottery division back when that was going on,” she said.

Through the Summer Youth Employment Program, Chunestudy said she gave tours in Adam’s Corner, the CHC’s rural village that depicts Cherokee life in the 1890s before Oklahoma statehood. Chunestudy added that she also worked in the museum archives department and as a secretary under the same employment program, giving her a total of two years experience at CHC before her current position.
Video with default Cherokee Phoenix Frame
The Cherokee Heritage Center’s new curator, Callie Chunestudy, adjusts items on Jan. 25 in the CHC exhibit gallery in Park Hill, Okla. ROGER J GRAHAM/CHEROKEE PHOENIX
The Cherokee Heritage Center’s new curator, Callie Chunestudy, adjusts items on Jan. 25 in the CHC exhibit gallery in Park Hill, Okla. ROGER J GRAHAM/CHEROKEE PHOENIX

ᎠᏭ ᎤᏂᏴᏍᏗ, ᎣᎦᎳᎰᎹ.- ᏍᎪᎯ ᏧᏕᏘᏴᏓ ᏂᎨᏐ ᎩᎳ ᎢᏤᎢ ᏗᎦᏘᏱ ᎤᏂᎧᏁᎢ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ ᎣᏍᏓᏃ ᎠᎦᏔᎯ ᏄᏍᏗᏓᏅ ᎥᎿ ᎠᎴ ᏧᏟᎢᎩᏍᏓᏅᎯ ᏧᎸᏫᏍᏓᏁᎸᎢ ᎨᏒᎢ.

Callie Chunestudy, 34, ᏅᏓᏕᏆ. 9ᏁᎢ ᎤᎴᏅᎮ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎤᏑᎵᎪᏣ Mickel Yantz ᏗᎦᏘᏱ ᎨᏒ Sherwin Miller ᎤᏪᏘ ᎠᏍᏆᏂᎪᏛ Jewish Arts Tulsa ᏭᎴᏅᎮ ᏚᎩᏫᏍᏓᏁᎲᎢ.

ᎤᏴᏢᎧᎸᎬ ᏍᎦᏚᎩ ᏩᎦᎸᎳᏗᏴ ᏧᎾᏕᎶᏆᏍᏗᏱ ᏧᏍᏆᏛ Chunestudy ᎣᎯᏍᏗ ᏗᏟᎶᏍᏙᏗ ᏧᎾᏕᎶᏆᏍᏗ.
“ᏓᎳᏚ ᏳᏕᏘᏴᏓ ᏥᎨᏒ ᎤᎴᏅᎮ ᏚᎸᏫᏍᏓᏁᎲ (ᏣᎳᎩᎯ ᎠᏰᎵ) summer youth (ᏗᎨᏥᎾᏢᏗ ᎤᏙᏢᏒ) ᎠᎴ ᏁᎳᏚ ᏳᏕᏘᏴᏓ ᏥᎨᏒ ᎦᏓᎫᎦ ᏧᏃᏢᏗ ᏚᎸᏫᏍᏓᏁᎸᎢ,” ᎠᏗᏍᎬᎢ.

ᎾᎯᏳᏃ ᎪᎨᏱ ᏗᎾᏛᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎤᏙᏢᏒᎢ, ᏥᏚᏂᎸᏫᏍᏓᏁᎲᎢ ᏴᏫ ᎠᏂᎷᎬ Adam’s Corner, CHC ᏕᎧᏃᎯᏎᎲ ᏂᏧᎵᏍᏓᏅᏒ ᎠᎴ ᏄᏍᏛ ᏣᏁᎮ ᎾᎯᏳ ᎠᏂᏣᎳᎩ 1890s ᏧᏕᏘᏴᏌᏗᏒ ᎠᏂ ᏍᎦᏚᎩ ᏂᎦᎵᏍᏗᏍᎬᎾ ᏥᎨᏒ ᎣᎦᎳᎰᎹ ᏔᎵ ᏧᏕᏘᏴᏓ ᏚᎸᏫᏍᏓᏁᎴ Summer Youth Program ᏧᏪᏘ ᏗᎪᏪᎳᏅ ᏗᏍᏆᏂᎪᏙᏗ ᎠᎴ ᏗᎪᏪᎵᏍᎩ ᎨᏎ Chunestudy.

ᎾᏊ ᏗᎦᏘᏱ ᏥᏄᎵᏍᏔᏅ ᎤᏠᏱᏊ ᎢᏳᏍᏗ ᏥᏍᏓᏩᏗᏎᏍᏗ Mickel ᏚᎸᏫᏍᏓᏁᎸᎢ ᎠᏗᏍᎨᎢ Chunestudy. ᏌᏚ ᏧᏕᏘᏴᏛ ᏚᎸᏫᏍᏓᏁᎸ ᎨᏌ Meckel, ᎣᏍᏛ ᏄᏛᏁᎴ ᎣᎯᏍᏗ ᏧᎾᏟᎶᏍᏔᏅ ᎬᏂᎨᏒ ᏂᏕᎬᏁᎲ ᎠᎴ ᎠᎾᏛᏁᎵᏍᎬ ᎠᎭᏂ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ ᎠᏆᏚᎵ ᎪᎱᏍᏗ ᎢᏤ ᎠᎴ ᏧᏓᎴᏅᏓ ᏧᎾᏟᎶᏍᏔᏅ ᎠᎴ ᎤᎾᏛᏁᎸᏗ ᎠᎩᏲᎯᏍᏗ ᎠᎭᏂ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ, ᎾᏞᎬᏊ ᎯᎸᏍᎩ ᏧᏓᎴᏅᏓ ᎠᎾᏛᏁᎵᏍᎬ ᎠᎪᏩᏛᏗ ᎨᏎᏍᏗ. ᎾᏊ ᎨᏒᎢ “ᏧᎦᎶᎩ ᎠᏂᏬᏂᏍᎩ ᏗᏟᎶᏍᏔᏅ ᏂᏓᏳᏓᎴᏅᎩ ᏣᎳᎩ ᏗᎪᏪᎶᏗ ᏧᏃᏴᎦ ᎧᏃᎮᏍᎩ” ᎤᏃᎸᏔᏂ 15 ᎤᏓᎴᏅᎮ ᎧᏬᏂ 12 ᎢᎪᎯᏛ ᎠᎪᏩᏛᏗ ᎨᏎᏍᏗ 2016 Trail of Tears ᏧᎾᏟᎶᏍᏔᏅ ᎾᎯᏳ ᏗᎪᏩᏛᏗ ᎨᏎᏍᏗ.

“ᎩᎳ ᎢᎬᏱ ᎨᏒ ᏣᎳᎩ ᏧᎾᏟᎶᏍᏔᏅ ᎤᏂᎾᏗᏅᏗ ᏙᎦᎵᎪᏎᏍᏗ ᏧᎾᏓᎴᏅᏓ ᎠᏰᎵ ᎠᏍᏆᎵᏍᎨᏍᏗ ᎠᎾᏛᏍᎩ ᏧᎾᏟᎶᏍᏔᏅ ᎠᎾᏓᎪᏅᏗᏍᎬ, ᎣᏍᏓᏃ ᎠᎩᏰᎸᏐᎢ ᏅᏍᎩ ᏥᏂᎦᎵᏍᏗᏌᎭ,” ᎠᏗᏍᎬᎢ. “ᎠᎴ ᎢᎬᏱᎢ, ᏓᏲᏣᎵᏲᏂ ᏣᎳᎩ Art Market ᎠᎴᎾᏍᏊ ᏓᏲᎩᏍᏆᎸᎡᎵ ᏗᎾᏛᏍᎩ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎠᎾᏓᎪᏅᏗᏍᎩ. ᏂᎬᏯᎢᏎᏍᏗ, ᎠᎭᏂ Heritage Center, ᎠᎴ ᎾᏍᎩ ᎤᎾᏓᏠᏒᎢ ᏧᎾᏟᎶᏍᏔᎾᎾᎢ ᎬᏂᎨᏒᎢ ᏄᏍᏕᏍᏗ ᏱᎪᎯᏓ ᎠᏍᏆᎵᏍᎨᏍᏗ Trail of Tears Art Show.”

ᎾᏍᎩᏃ ᏧᏚᎵᏍᎨᎢ ᎾᏍᎩ ᎠᎦᏘᏱ ᏧᎸᏫᏍᏓᏁᏗᎢ, Chunestudy ᎢᎧᏃᎮᏍᎬᎢ ᏂᎪᎯᎸᏃ ᎤᎸᏉᏕᎢ ᏧᏍᏕᎸᎡᏗᎢ ᏗᏍᏆᏂᎪᏔᏅᎢ ᎠᎴ ᎬᏂᎨᏒᎢ ᏣᎳᎩ ᎢᏳᏛᏅᎵᏓᏍᏗᎢ.

“ᏗᏟᎶᏍᏔᏅᏅᏃ ᎢᎦᏃ ᎣᏍᏓ ᎾᏍᎩᏃ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏂᎥᏃᏍ ᏯᏂᎪᏩᏔ ᏄᏬᏚᏒᎢ. ᏓᎩᎸᏫᏍᏓᏁᎲᎢ ᎥᎿᎾᏂ Cherokee Heritage Center ᎠᎴ ᎣᏍᏓ ᎠᎦᏘᏗᏗᏍᏗ ᎢᎦᏤᎵᎢ ᎦᏟᏎᏅᎢ ᏱᎪᎯᏓᏃ ᏛᎦᏌᏙᏍᎬᎢ ᎠᏂᏣᎳᎩ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎾᏍᎩ ᎪᎯᏴ ᏥᎩ ᏣᏁᎭ ᎾᏍᎩᏃ ᎤᎵᏍᎨᏓ ᎠᎩ ᎢᏯᏆᏛᏁᏗᎢ,” ᏗᎦᏍᎬᎢ.

CHC ᏄᎬᏫᏳᏒ Candessa Tehee ᎢᏳᏪᏛ ᎾᏍᎩᏃ Ꮎ CHC ᎣᏏ Chunestudy ᏏᏊ ᏧᎴᏅᎲ ᏚᎸᏫᏍᏓᏁᎲᎢ.

“ ᎾᏍᎩᏃ ᎤᏂᏔ ᏧᎶᏌ ᎣᏍᏓ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎠᎴᎪᏟᎬᎢ ᎠᏂᏣᎳᎩ ᏧᎾᏛᏁᎸᏍᏔᏅᎢ ᎠᎴ ᏗᏍᎦᏚᎩ ᎠᎴ ᎾᏍᎩ ᏄᏍᏛᎢ ᏕᎤᎲᎢ,” ᎠᏗᏍᎬᎢ Tehee. “ ᎾᏍᎩᏃ ᎤᎸᏉᏛᎢ ᏣᎳᎩ ᏗᏟᎶᏍᏔᏅᏅᎢ ᏧᎾᏛᏁᎸᏍᏔᏅᎢ ᎾᏍᎩ ᎬᏂᎨᏒᎢ ᏂᎦᎵᏍᏗᎭ ᎾᏛᏁᎲᎢ ᏴᎪᏩᏔ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎠᎴ ᎣᏍᏓ ᎢᏳᎵᏍᏓᏁᏗᎢ ᎤᏩᎬᏗᏗᏒᎢ ᎥᎿᎾᏂ CHC.”

ᎾᏍᎩᏃ CHC ᎥᎿ ᏧᏙᏢᎭ 21192 S. Keeler Drive. 9 a.m. to 5 p.m. ᎤᎾᏙᏓᏉᏅᎢ ᎤᎾᏙᏓᏈᏕᎾ ᏂᏛᏓᎴᏂᏍᎩ ᏕᎭᎷᏱ 15 ᏚᎵᏍᏗ 15 ᏱᎪᎯᏓ ᎠᏍᎢᏐᎢ.

CN Angel Project provides Xmas gifts for children

BY STACIE BOSTON
Reporter – @cp_sguthrie
12/03/2015 08:30 AM
TAHLEQUAH, Okla. – On Nov. 24, the Cherokee Nation kicked off the season of giving with its 2015 Angel Project event to help provide Christmas gifts to Cherokee children in need.

To begin the giving, CPR, a Tribal Employment Rights Office-certified and Cherokee-owned roofing business, donated 250 bicycles to the help fill the wants of children who were a part of the Angel Project.

“Giving back is something my mother raised me to do and my employees love helping give back also,” CPR President Robert Brown said. “I remember one year when my mother was unable to buy me a Christmas gift and she received help from a local store owner, who helped her in providing me that one toy under the Christmas tree.”

Rachel Fore, CN Indian Child Welfare administrative operations manager, said the donation of bikes would cover a “large amount” of what children are requesting for their respective Christmas gifts.

“That’s a fabulous donation that we haven’t ever had before, so it kind of changed the way we had to do things on the application side,” she said. “We pretty swiftly decided that we would just pull all the angels that have requested bikes and then we would utilize the funds that we receive to fill in the needs for those children.”
Video with default Cherokee Phoenix Frame
People surround the Cherokee Nation Angel Project Tree on Nov. 24 at the W.W. Keeler Tribal Complex in Tahlequah, Oklahoma. There are nearly 2,000 Cherokee children in the tribe’s 14-county jurisdiction who are apart of the project this year. STACIE GUTHRIE/CHEROKEE PHOENIX
People surround the Cherokee Nation Angel Project Tree on Nov. 24 at the W.W. Keeler Tribal Complex in Tahlequah, Oklahoma. There are nearly 2,000 Cherokee children in the tribe’s 14-county jurisdiction who are apart of the project this year. STACIE GUTHRIE/CHEROKEE PHOENIX

ᏓᎵᏆ, ᎣᎦᎳᎰᎹ. – ᎾᎯᏳᏃ ᏅᏓᏕᏆ. 24, ᎾᏍᎩ ᏣᎳᎩᎯ ᎠᏰᎵ ᎤᎾᎴᏅᎲᎩ ᎯᎠ ᏓᏓᏁᏟᏴᏍᎬᎢ 2015 ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎤᎾᎵᏍᏕᎸᎯᏓᏍᏗᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ ᏗᏓᏁᏗ ᏧᏂᏁᏗᎢ ᎠᏂᏣᎳᎩ ᏗᏂᏲᏟ ᎾᏍᎩ ᎤᏂᏂᎬᎬᎢ.

ᎾᏍᎩᏃ ᎤᎾᎴᏅᎯᏓᏍᏗᎢ ᏧᏂᏁᏗᎢ, CPR, ᎠᏂᏍᏓᏢᎢ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏧᏂᏍᏓᏩᏛᏍᏗ – ᎠᎵᏍᎪᏟᏗᏍᎩ ᎠᎴ ᏣᎳᎩ-ᎤᏅᏏ ᎤᎾᏤᎵᎢ ᏗᏂᎵᏦᏛᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᏚᎾᎵᏍᎪᏟᏔᏅᎢ 250 ᏱᎦᎢ ᎳᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᎾᏍᎩ ᏓᏂᏍᏕᎵᏍᎬᎢ ᏗᏂᏲᏟ ᎾᏍᎩ ᎨᎪᏪᎸᎢ ᎥᎿᎾᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎾᏓᏁᎳᏁᏗᎢ.

“ ᎪᎱᏍᏗᏃ ᎠᏓᏁᏗ ᎾᏍᎩ ᎠᎩᏥᏃ ᎠᏇᏲᏅᎢ ᎢᏯᏛᏁᏗᎢ ᎠᎴ ᏗᎦᏥᎾᏝᎢ ᎠᏂᏉᏗᎭ,” CPR ᏄᎬᏫᏳᏒᎢ
Robert Brown ᎢᏳᏪᏓ. “ᎡᏘᏴᏃ ᏥᎨᏒᎢ ᏫᎦᏅᏓᏗᎠ ᎠᎩᏥ ᎤᏄᎸᏅᎢ ᎨᏒᎢ ᎪᎱᏍᏗ ᎠᎩᏁᏗᎢ, ᎠᎴ ᎠᏓᎾᏅᎢ ᏧᎸᏫᏍᏓᏁᎯ ᎠᏆᏍᏕᎸᎲᎢ ᏌᏊ ᏗᏁᏟᏙᏗ ᎠᎩᏁᎸᎢ. ᎯᎠᏃ ᏥᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᏗᏂᏲᏟ ᎠᎴ ᎤᎾᏓᎬᏴᎵᎨᎢ ᏛᏍᏕᎵᏍᎬᎢ ᎾᏍᎩ ᏰᎵᎢ ᎪᎱᏍᏗ ᎬᏩᏂᎩᏍᏗ ᏓᏂᏍᏓᏲᎯᎲᎢ ᏑᎾᎴᎢ.”

Rachel Force, ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏂᏴᏫᏯ ᏗᏂᏲᏟ ᏗᏂᏍᏕᎵᏍᎩ ᏄᎬᏫᏳᏒᎢ ᏂᏚᏍᏗᏗᏒᎢ ᏄᎬᏫᏳᏌᏕᎩ, ᎢᎧᏃᎮᏍᎬᎢ ᎾᏍᎩ ᏔᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᏧᎾᎵᏍᎪᏟᏔᏅᎢ ᎤᏂᎪᏗ ᏗᎬᏩᏂᎩᏍᏗ “ ᎤᏓᏍᏈᏍᏙᏒᎢ” ᎨᏎᏍᏗ ᏄᏍᏛᎢ ᎠᏂᏔᏲᎯᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ.

“ᎾᏍᎩᏃ ᎤᎸᏈᏍᏗ ᎤᎾᎵᏍᎪᏟᏔᏅᎢ ᎥᏝ ᎢᎸᎯᏳ ᎥᏍᎩᏳᎵᏍᏓᏂᏙᎸᎢ ᏱᎩ, ᎾᏍᎩᏃᏅ ᎤᏓᏁᏟᏴᏒᎢ ᏄᏍᏛᎢ ᎢᏯᏛᏁᏗᎢ ᏗᎧᎵᏏᏐᏗᎢ ᏗᎪᏪᎵ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ ᎩᎳᏫᏴᎢ ᏙᎫᎪᏔᏅᎢ ᎾᏍᎩ Ꮎ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎾᏍᎩ ᏧᏂᏔᏲᏢᎢ ᏔᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᎾᏍᎩᏃ ᏗᎵᏍᎪᏟᏔᏅᎢ ᏥᎩ ᏱᏓᏅᏗ ᎥᏍᎩᎾᏅ ᏗᏂᏲᏟ ᏧᏂᏔᏲᏢᎢ ᏱᏓᏂᎲᏏ.”

Fore Z ᎢᏳᏪᏓ ᏂᎦᏛᏃ 250 ᏔᎵ ᏗᎦᏆᏗ ᏗᎩᎸᏙᏗ ᏚᎪᎭ ᎤᎵᎮᎵᏨᎢ ᏚᏂᏠᏛᎢ ᎥᎿᎾᏂ ᏙᏱᏗᏢᎢ W.W. Keeler Tribal Complex.

“ᏓᏆᏠᏍᏔᏅᎢ ᏂᏗᎦᎵᏍᏙᏗ ᎾᏍᎩᏃ ᏱᏗᏣᏁᏏ ᏗᎧᎵᏏᏐᏗ ᎾᏍᎩ ᎤᎾᏓᏍᏈᏍᏙᏒᎢ ᎠᏁᎭ ᎤᏂᏂᎬᎬᎢ ᎪᎱᏍᏗ ᎠᎴ ᎠᎦᏲᏝ ᎤᏂᏂᎬᎦ ᏗᎦᏤᎵᎢ ᎠᏂᏣᎳᎩ ᏗᏂᏲᏟ ᎾᏍᎩ ᏕᎪᏪᎸᎢ ᎥᎿᎾᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ, ᎠᎴ ᎬᎪᏩᏛᏗ ᎾᏍᎩ ᎩᎶ ᎬᏬᏟᏍᏗ ᏙᎯᏳᎯᏯ ᎤᏚᏟᏛᎢ ᎾᏍᎩ ᎤᏂᎪᏗ ᏗᏂᏲᏟ ᎾᏍᎩ ᏗᎬᏩᏂᏘᏲᏍᏗ, ᎾᏍᎩ ᏙᏳᎢ ᏗᎦᏙᎵᏍᏗ, ᎠᎴ ᎢᎦᎨᏃ ᎣᏍᏓ ᎠᏂᏣᎳᎩ ᎠᏂᏣᎳᎩ ᏓᎾᎵᏍᏕᎵᏍᎬᎢ,” ᎠᏗᏍᎬᎢ.

Fore Ꮓ ᎢᎧᏃᎮᏍᎬᎢ 2,000 ᎾᎥᎢ ᏄᏂᏨᎢ ᏗᏂᏲᏟ ᎠᏂ ᎠᏓᏁᎳᏁᏗ ᎠᏁᎳ. ᎢᎧᏃᎮᏍᎬᎢᏃ ᏓᎬᏖᏃᎲᎢ ᏧᎪᏩᏛᏗᎢ ᏢᏃ 100 ᎢᏳᏂᏨᎢ ᎤᎾᏚᏟᏗ ᏳᎾᏛᏂ ᏧᏂᎧᎵᏏᏌᏅᎢ ᎯᎠ ᏥᏛᏟᏱᎳ.

“ᎾᎥᏂᎨᏍᏗᏃ ᎠᏟᎠᎵᏎᏍᏗ ᎠᏂᏏᏴᏫ ᏂᏛᏂᏪᏏ, ᎥᏝ ᏱᏥᎦᏔᎮᎢ ᎥᏍᎩ ᏱᎦᎢ ᏧᎵᎬᏩᎶᏗᎢ ᎠᎴᏱᎩ ᎣᏍᏗᏁᎳ ᏧᎸᏫᏍᏓᏁᏗᎢ ᎤᏲᎱᏎᎸᎢ ᏥᏛᏟᎠᎵᏒᎢ. ᎠᎴᎾᏍᏊ ᎥᏍᎩᎾᎾ ᏗᏂᏲᏟ ᏱᏙᏥᏯᎾ ᎠᎴ ᏱᏙᏥᏍᏕᎳ,” ᎠᏗᏍᎬᎢ. “ᎡᏘᏴᏃ ᏥᎨᏒᎢ, 2,016 ᏗᏂᏲᏟ ᏙᏥᏍᏕᎸᎲᎢ ᎾᏍᎩᏃ ᏂᎬᏩᏍᏕᏍᏗ ᎠᎴ ᎠᏛᏅᎢᏍᏕᏍᏗ ᏦᎩᎸᏫᏍᏓᏁᏗᎢ ᎯᎠ ᏧᏕᏘᏴᏌᏘ.”

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᏳᏓᎵᎭᎢ ᎥᏝ ᏂᎦᏓ ᏗᏂᏲᏟ ᎾᏍᎩ ᎨᎪᏪᎸᎢ ᎥᎿᎾᏂ ᎢᏡᎬᎢ ᏱᎨᎦᏑᏰᏐᎢ, ᎠᏎᏃ ᎢᎧᏃᎮᏍᎬᎢ ᎾᏍᎩ ᎤᎾᎵᏍᏕᎸᏗ ᏥᏂᎦᎵᏍᏓ ᎥᏝᏃ ᏳᏂᏂᎬᎨᏍᏗ.

“ᏳᏓᎵᎭᏃ, ᏥᏂᎦᎵᏍᏗᎭ ᎣᏣᏓᎾᎾᏁᏍᎪᎢ 200 ᎠᎴ 400 ᏦᏥᏍᏕᎸᎡᏗᎢ ᎾᏍᎩ ᎥᎿᎾᏂ ᎢᏡᎬᎢ ᎨᎪᏪᎸᎢ ᎨᎦᏑᏰᏓ ᏂᎨᏒᎾ ᏱᎩ, “ᎤᎾᎵᏍᎪᏟᏔᏅᏃ ᎾᏍᎩᏃ ᎣᏨᏗᏍᎪᎢ ᎾᏍᎩ ᏦᏥᏍᏕᎸᎡᏗᎢ. ᎾᏍᎩ ᎣᏣᎦᏎᏍᏗᏍᎪᎢ ᎢᏳᏍᏗ ᎤᏂᏂᎬᎬᎢ ᎢᎬᏱᏱᎢ ᎡᎵᏊᏃ ᏌᏊᏊ ᎢᏳᏍᏗ ᎤᏂᏔᏲᏢᎢ ᎠᏂᎩᎰᎢ ᎯᎠ ᏧᏕᏘᏴᏌᏗ.”

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᎯᎠᏃ ᏧᏕᏘᏴᏌᏗ ᎾᏍᎩ ᎢᏃᏱᏱᎢ ᎤᎵᏍᏕᎸᏗ ᏂᎦᎵᏍᏗᏍᎬᎢ ᎥᎿᎾᏂ ᏣᎳᎩᎯ ᎠᏰᎵ ᏗᎸᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ, ᎠᎴ ᎾᏍᎩ ᎣᏍᏓ “ᎠᎩᏰᎸᏅᎢ” ᏄᏍᏛᎢ ᎠᏆᏕᎶᎰᏒᏅᎢ.

“ᏁᎵᏍᎬᏃ, ᎦᏙᏍᎩᏂ ᏄᏍᏕᏍᏗ ᏗᎦᏁᏍᏗᎢ ᎯᎠ ᏗᎧᎵᏏᏐᏗ?’ ᎠᎴ ᏗᎪᏩᏛᏗ ᎤᎾᏓᏥᎢ ᎠᎴ ᎤᎾᏓᏙᏓ ᎾᏍᎩ ᏧᎾᏚᎵᎠ ᎪᎱᏍᏗ ᏰᎵᎢ ᏗᎬᏩᏂᏁᏗ ᏗᏂᏲᏟ ᏚᏂᎧᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ,” ᎠᏗᏍᎬᎢ. “ᎠᏴᏃ ᎥᏝ ᏱᎨᎵᏍᎨᎢ ᎥᏍᎩ ᏱᎦ ᏂᏓᏥᏰᎸᏂᏒᎢ.”

ᎠᏗᏍᎬᎢ ᎠᎴᎾᏍᎩᏊ ᎤᏠᏱ ᏄᏁᎵᏒᎢ ᎠᏂᏏᏓᏁᎸᎢ ᏄᏍᏛᎢ ᎾᏅᏛᏁᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ.

“ᎾᏍᎩᏂᏃᏅ ᎤᏠᏱ ᎾᏊᎵᏍᏓᏁᎰᎢ ᎠᏋᏌ ᎨᎥᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎢᎦᏥᎦᏙᏍᏗᎰᎢ ᎠᏆᏌ ᏓᏆᏓᏘᎿᎥᎢ ᎠᎴ ᏱᎾᏇᎵᏏ ᏍᏈᏯ ᎢᎦᏥᏁᎰᎢ ᎠᏋᏌ ᏓᏆᏓᏘᎿᎥᎢ,” ᎠᏗᏍᎬᎢ. “ᏍᏗᏃ ᎬᏕᎶᎰᎯᏍᏗ ᏛᎧᏂᏍᎬᎢ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎠᏯᏃ ᏄᏓᎴᎢ ᎣᏥᎪᏩᏛᏗ ᎣᏥᏏᏓᏁᎸᎢ ᏃᎦᏛᏅ ᎯᎠ ᏧᏕᏘᏴᏌᏗ. ᎡᎵᏊᏃ ᎾᏊ ᎥᏝ ᎥᏍᎩ ᏱᎦ ᏱᏂᎦᎬᏛᎦ ᎠᎴ ᏱᏂᎦᏥᏛᏂᏏ ᎾᏍᎩ Ꮎ ᎪᎱᏍᏗ ᎬᏩᏂᎩᏍᏗ ᎠᏰᏟᏴ ᎠᏋᏏ ᏓᏆᏓᏘᎿᎥᎢ ᎤᏂᎩᏍᏗ ᏱᎦᏥᎥᏏ.”

ᎾᏍᎩᏃ Ꮎ ᎦᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎾᏍᎩ ᎠᏛᏅᎢᏍᏓ ᎾᏍᎩ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏁᎳ 14-ᏍᎦᏚᎩ ᎢᎬᎾᏕᎾ ᎠᏁᎯ ᎤᏅᏙᏗ, ᏱᎦᏃ ᎠᏃᏢᏍᎬᎢ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ ᎬᏂᎨᏒᎢ ᎢᏳᏅᏁᏗ ᎠᎴ ᎾᏍᏊ 0 ᎠᎴᏱᎩ 16 ᎢᏧᎾᏕᏘᏴᏓ ᏗᏂᏲᏟ ᏱᏚᏂᎧᎭ.

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᏂᎦᏓᏃ ᎤᎾᎵᏍᎪᏟᏔᏅᎢ ᏗᎦᏇᏅᏓ ᏂᎨᏒᎾ ᏧᏂᏲᎯᏍᏗ ᎥᎿᎾᏂ ᏣᎳᎩᎯ ᎢᎬᏱᏱᎢ ᎥᎿᎾᏂ Tribal Complex ᎤᏓᎷᎸᏊ ᎥᏍᎩᏱ. 9. “ᎤᏓᎷᎸᏃ ᎾᏍᎩ ᏴᎯᏁᎦ ᎠᏏᏴᏫ ᏚᏙᎥᎢ,’ ᎠᏗᏍᎬᎢ.

CN ᎬᏂᎨᏒᎢ ᎢᏳᏅᏁᎸᎢ, tax-free monetary ᎠᎵᏍᎪᏟᏔᏅᎢ ᎠᎵᏍᏕᎵᏍᎩ ᏗᏓᏁᏗ ᏗᏩᎯᏍᏗᎢ ᏱᏣᎵᏍᎪᏟᏔᏂ ᎥᎿᎾᏂ CN at http://bit.ly/10xobLR. ᎤᎪᏗᏃ ᎠᏕᎶᎰᎯᏍᏗᎢ ᏲᏚᎵᎠ,ᏩᏟᏃᎮᏗᏃ Fore 918-458-6919.

Sarabia finds success in BMX sport

BY STACIE BOSTON
Reporter – @cp_sguthrie
11/06/2015 08:30 AM
BULLHEAD CITY, Ariz. – A young Cherokee Nation citizen is making a name for herself in the BMX world, also known as bicycle motocross. Payton Sarabia, 5, has two big titles under her belt and is just beginning her biking journey.

Payton’s mother, Priscilla, said Payton became interested in BMX after attending one session.

“It was very hard to find a sport that would take kids at that young of an age, and BMX was one of them. We took her one day and she tried (it) and from there she was hooked,” she said. “She started on one of those little bikes that don’t have pedals, it kind of teaches the kid to balance. From there she moved onto pedal bikes, which is what she’s on now and competing on.”

Payton said she likes the sport because she likes making friends and “jumping” her bike.

Priscilla said Payton’s usual class she races with, the 5 and under class, is extremely competitive.
Cherokee Nation citizen Payton Sarabia rides her bike with a purple tutu over her riding gear. She has earned the name ‘Payton the Purple Pickle Flying Tutu’ for her look. COURTESY Payton Sarabia
Cherokee Nation citizen Payton Sarabia rides her bike with a purple tutu over her riding gear. She has earned the name ‘Payton the Purple Pickle Flying Tutu’ for her look. COURTESY

Bullhead City, Ariz. – ᎠᏓᎨ ᎠᎨᏳᏣ ᏣᎳᎩ ᎠᏰᎵ ᎨᎳ ᎠᎦᏅᏐ ᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᎨᎳ BMX ᎡᎶᎯ ᎬᎾᏕᎾ, ᎾᏍᎩᏍᏊ ᏔᎵᏗᎦᏆᏘ ᎠᏂᎩᏍᏗᏍᎩ ᏚᎾᏗᏫᏍᏗᎭ. Payton Sarabia, ᎯᏍᎩ ᏳᏕᏘᏴᏓ, ᎦᏳᎳ ᏚᎾᎠ ᏗᎪᏪᎵ ᏄᏛᏁᎸ ᎭᏫᎾᏗᏢ ᎤᏓᏠᎲᎢ ᎠᎴ ᏃᏊ ᎠᎴᏂᎭ ᎾᎿ ᏔᎵ ᏗᎦᏆᏘ ᎠᎩᎸᏗᏍᎬᎢ ᎠᏂᎩᏍᎪᎢ.

Payton’s ᎤᏥᎢ, Priscilla, ᎠᏗᏍᎬ Payton ᎤᎴᏅᎲ ᏓᏍᏆ.ᎪᏍᎬ BMX ᎣᏂ ᎾᎿ ᏧᏭᏪᏙᎸ ᏌᏊ ᏓᎾᏠᏍᎬᎢ ᎠᎾᎵᏏᎾᎲᏍᏗᏍᎬᎢ.

“ᏍᏓᏱ ᎨᏒ ᎠᏩᏛᏗ ᏗᎬᏩᎾᏁᎶᏗ ᎬᏩᎾᏕᎳᏗᏍᏗ ᎠᎴ ᏗᎬᏩᏂᏯᏍᏗ ᎨᏒ ᏗᏂᏲᏟᏊ, ᎠᎴ BMX ᎾᏍᎩ ᏓᏂᏯᏂᏍᎬ ᎾᏍᎩᏊ ᎢᏳᎾᏕᏘᏴᏓ. ᏌᏊ ᎢᎦ ᎣᏍᏓᏘᏅᏒ ᎠᎴ ᎤᏁᎶᏔᏅ ᎠᎴ ᎾᎯᏳ ᎤᎴᏅᏓ ᎤᎸᏉᏔᏅ,” ᎠᏗᏍᎬᎢ. “ᎤᎴᏅᎲ ᎤᎩᎸᏔᏅ ᎤᏍᏗ ᏔᎵ ᏗᎦᏆᏘ Ꮭ ᏗᎳᏍᎬᏍᏗ ᏱᏗᎪᏢᏎ, ᎤᎾᏕᎶᏆᏍᏙᏗ ᎨᏒ ᎤᎾᎩᎸᏙᏗᎢ. ᎾᎯᏳ ᎤᎴᏅᎲᎢ ᏌᏊ ᎠᎳᏍᎬᏍᏗ ᎪᏢᏒ, ᏅᏍᎩᏃ ᎤᎩᎸᏙ ᎠᎴ ᏓᏙᎩᏯᏍᏗᏍᎪᎢ.”

Payton ᎠᏗᏍᎬ ᎤᎸᏉᏛ ᎾᏍᎩ ᏧᏁᎶᏗ ᏅᏗᎦᎵᏍᏙᏗ ᎤᎸᏉᏙ ᏧᎵ ᏓᏩᏗᏍᎬ ᎠᎴ “ᏓᎵᏔᏗᏅᏗᏍᎬ” ᎾᎿ ᎤᏤᎵ ᏔᎵ ᏗᎦᏆᏘ.

Priscilla ᎠᏗᏍᎬ Payton’s ᎾᏍᎩ ᏓᎩᏍᎬ ᏓᏕᎶᏆᎠᎬ ᎾᎿ ᏓᏙᎩᏯᏍᏗᏍᎬ, ᎾᏍᎩ ᎯᏍᎩ ᎠᎴ ᎭᏫᎾᏗᏝ ᎠᏂᏯᎢ, ᎾᏍᎩ ᎢᎦ ᎤᏂᎸᏉᏓ ᎤᎾᏙᎩᏯᏍᏗ.

“ᎾᏍᎩ ᎯᏍᎩ ᎢᏧᎾᏕᏘᏴᏓ ᏱᏃᎵ ᎠᏂᎨᏳᏣ ᎠᏁᎪ ᎾᏍᎩ ᎤᏬᎸᏗ ᎤᏁᏓᏍᏗᎢ, ᎠᏎᏃ ᎢᎦ ᎤᎾᏓᎪᎾᏙᏗ ᎤᏂᎸᎴᏓ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩ ᎠᏂᏧᏣ ᏱᎩ ᎾᏍᎩ ᎾᎾᏛᏁᎰ, ᎠᏎᏃ ᎾᏍᎩ ᎠᏂᎨᏳᏣ ᎾᏍᎩᏍᏊ ᎤᏠᏯ.”

Priscilla ᎠᏗᏍᎬ ᎯᎠ ᏧᏕᏘᏴᏌᏓ Payton ᎤᎩᏒ ᎤᏓᏠᏒ ᎾᎿ Arizona ᎢᎬᏱ ᎠᏂᏙᎾ ᎤᎾᏓᏠᏒ ᎠᎴ ᏦᎢᏁ ᎤᎾᏓᏠᏒ ᎾᏍᎩ DK ᏔᎵ ᏗᎦᏆᏘ ᏓᎶᏂᎨ ᎠᎫᎩᏍᏓ Regional ᎤᏂᏍᎦᏎᏗ, ᎢᏧᎳ ᎾᎿ ᎯᏍ ᎢᏳᎾᏕᏘᏴᏓ ᎠᎴ ᎭᏫᎾᏗᏢ ᎠᏂᎨᏳᏣ ᎠᏂᏯᎥᎢ.

“ ᎯᎠ ᏧᏕᏘᏴᏌᏗ ᎾᏍᎩ ᎢᎬᏱ ᎤᏕᏘᏴᏌᏗᏒ ᎾᏍᎩ ᏙᎦᏁᎶᏂ ᎤᏔᏂ ᏓᎾᏁᎶᎲᏍᎬ ᎾᎿ ᏍᎦᏚᎩ ᎠᎴ ᎾᎿ ᎠᏕᎳ ᏓᎶᏂᎨ ᎤᎵᏍᏈᏓ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩ ᏍᎦᏚᎩ ᎠᎾᏙᎩᏯᏍᎬᎢ, ᎾᏍᎩ ᎢᎸᏍᎩ ᎨᏒ ᏂᎬᎾᏛ ᏍᎦᏚᎩ. ᎤᏕᎳᏛ ᎾᎿ, ᎠᏆᏚᎵ ᎠᏆᏗ, ᏑᏓᎵ ᏯᏂᎢ. ᎤᏗᏗᏝ ᎾᎿ ᏍᎦᏚᎩ ᎠᎾᏙᎩᏯᏍᎬ ᎾᏍᎩ ᎤᏂᎩᏒ ᏩᎦᎸᎳᏗᏴ ᎾᎿ ᏅᎩ ᎤᏂᏅᏅ ᎠᎴ ᎾᏍᎩ ᎤᏂᏍᏆᏛ ᏂᎦᏓ, ᎠᎴ ᏂᎦᎵᏍᏗᏊ ᎩᎶ ᏭᎪᏛ ᎤᏂᎾᎢ ᎠᎴ ᏭᎪᏛ ᎤᎾᏓᏠᏒ ᎠᎵᏍᏆᏗᏍᎬ ᎾᏍᎩ ᎠᏂᎩᏍᎪ ᎤᏓᏠᏒᎢ ᎾᎿ ᏍᎦᏚᎩ ᏩᎦᎸᎳᏗᏴ ᎤᏓᏠᏒᎢ.”

Priscilla ᎠᏗᏍᎬ ᎾᏍᎩ Peyton ᏓᏱᎦᎵᏍᎪᎸᏓᏁᎵ ᎤᎾᏫᏗᎢ ᎢᎬᏱ ᎪᏪᎵ ᏖᎵᏙ ᎤᏫᏗ ᏔᎵ ᏗᎦᏆᏘ ᎤᎩᎸᏛ ᎾᏍᎩ ᎤᏓᏠᏒ ᏍᎦᏚᎩ. ᎾᏍᎩᏍᏊ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᏍᎦᏚᎩ ᎢᎬᏱ ᎠᏂᏙᎾᎢ ᎦᎵᏔᏅᏙᏗ ᏕᎦᎶᏗ ᎠᎵᏏᏓᏍᏗ.

ᎠᏗᏍᎬ Peyton ᎤᏍᏆᏛ ᎠᏂᏐᎢ ᏗᎾᏁᎶᎲᏍᎩ ᎠᏂᎨᏳᏣ ᎾᏍᎩ ᎤᏕᎵᎬ ᎠᏁᎯ ᎾᏍᎩ ᎠᎹᏱᏟ ᏗᏍᎦᏚᎩ ᎾᎿ ᎤᎾᏓᏠᏒ ᏦᎢᏁ ᎤᏙᏢᏒ ᎾᎿ DK ᏔᎵ ᏗᎦᏆᏘ ᎠᏕᎳ ᏓᎶᏂᎨ ᎤᎵᏍᏈᏓ.

“ᎾᏍᎩ ᎯᎠ ᏗᏂᏲᏟ ᎾᏍᎩ ᎤᏠᏯ ᎢᏧᎾᏕᏘᏴᏓ ᎠᎴ ᎾᏍᎩ ᎢᎦ ᎠᏂᎦᏔᎲᎢ ᎾᎿ ᎨᏒᎢ,” ᎠᏗᏍᎬᎢ. “ᎠᎾᏙᎩᏯᏍᎬ ᎤᎾᏕᎶᎰᎯᏍᏗ ᎾᏳ ᏛᎬᏂᎩᏏᏒ ᎤᏓᏠᏒᎢ.”

Priscilla ᎠᏗᏍᎬ ᎣᏍᏓ ᎤᏱᎸ ᎾᎿ ᎤᏪᎧᎲ ᎠᎨᏳᏣ ᎠᎴ ᎢᎦ ᎤᏓᏠᏒᎢ ᎾᎿ ᏓᏁᎶᎲᏍᎬᎢ.

“ᎠᏯ ᎢᎦ ᎦᎵᎡᎵᎬ. ᏥᏢᏩᏍᎬ ᎠᏇᏥ. ᎠᏍᏆᏗᏍᎬ ᎤᏬᏢᏅ ᎤᏂᏃᎮᏗ,” ᎠᏗᏍᎬᎢ. “ᎢᎦᏃ ᎤᏍᏆᏂᎪᏛ ᎾᎿ ᎯᎠ ᎢᏳᎵᏍᏙᏗ ᎤᏓᏠᎯᏍᏗᎢ ᏅᏗᎦᎵᏍᏙᏗ ᎢᏳᎾᏥᏍᏈᏍᏗ ᏗᏂᏲᏟ ᎠᎾᏓᎪᎾᏗᏍᎪᎢ.”

ᎾᏍᎩ Tuff Gurlz Trophy ᎤᎾᏓᏡᎬ, ᏂᎦᏓ ᎠᏂᎨᏳᏣ BMX ᎤᎾᏓᏡᎬ, ᎤᏍᏕᎸᎯᏙ Payton.

Priscilla ᎠᏗᏍᎬ Payton ᎠᎦᏅᏙ ᎤᎾᏬᏍᏗ ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᏚᏚ ᎦᏚᏗᏝ ᎠᎾᏙᎩᏯᏍᎩ ᏧᎾᏄᏬᏍᏗ ᏚᏄᏭᎢ.

“ᎾᏍᎩ ᎢᎬᏱ ᏧᎴᏅᎲ BMX Ꮭ ᏳᏅᏖ ᎢᏳᏍᏗ ᎤᏑᏰᏍᏗ ᎾᎿ BMX ᎠᎴ ᎤᎵᏍᎩᏍᏗᎢ ᎾᏍᎩᏃ ᏄᎵᏍᏔᏅ ᎤᏓᎴᏅᎭ ᎾᏍᎩᎴ ᎤᎩᏍᏔᏅ ᏚᏙᎥᎢ, ‘Payton ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᎦᎦᎹ ᎦᏃᎯᎴᎦ ᏚᏚ’ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗ ᎤᏅᏬ ᏚᏚ ᎦᏚᎵᏢ ᎾᏃ ᏗᏐᎢ ᏚᏄᏮᎢ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ Ꮟ ᎾᏥᏪᏎᎰᎢ ᎠᎴ ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᏚᏚ ᎤᏄᏬᎢ.”

Payton ᎠᏗᏍᎬ ᎤᎸᏉᏛ ᎤᏄᏬᏍᏗ ᎠᏕᎭᎷᎨ ᏚᏚ ᏅᏗᎦᎵᏍᏙᏗ “ᎤᏟᏍᏗ” ᎨᏐ ᎠᎴ ᎬᏩᏓᏠᎯᏍᏗ.

Priscilla ᎠᏗᏍᎬ ᎾᏍᎩ ᏧᎦᏴᎵᎨ ᏳᏂᎪᎯ Payton ᎤᏄᏮ ᎤᏤᎵ ᏚᏚ ᎠᎾᏁᎶᏗᏍᎪ ᎤᏁᏥ ᎠᎨᏳᏣ ᎤᏪᎳᏗᏓᏍᏗ ᎾᎿ ᏓᎾᏁᎶᎲᏍᎬᎢ.

“ᎤᎪᏓ ᎾᏍᎩ ᏓᎾᏙᎩᏯᏍᏗᎬ ᎣᏤᏙᎲ, ᎢᎦᏓ ᏧᎾᏓᎦᏴᎵᎨ ᎠᏂᏧᏣ ᏚᏂᎧᎲ ᎠᏂᏧᏣ ᎠᎾᏙᎩᏯᏍᎪ ᎠᎾᏁᎶᏗᏍᎪ ᏧᏁᏣ ᎠᏂᎨᏳᏣ ᏧᎾᏁᎶᏗᎢ, ᎠᏎᏃ ᎠᏂᎨᏳᏣ ᎯᎠ ᎾᏂᏪᏍᎪ, ᎠᏂᏧᏣᏛᎢ ᏧᎾᏁᎶᏗ ᎾᏍᎩ. Ꮭ, ᏯᏆᏚᎵ ᎾᏍᎩ ᏯᏆᏛᏗᎢ.’ ᎾᏍᎩᏃ ᎠᏂᎷᏤᎭ Payton ᎠᎴ ᎠᎾᏛᏛᎲᏍᎪ ᏗᎨᎦᏟᎶᏍᏙᏗ ᎾᏍᎩ ᎤᏅᏮ ᎾᏍᎩ ᎤᎾᏂᎩᏍᏗ ᎠᎴ ᏧᏎᎮᏗ ᎾᎿ ᏧᏁᏣ ᎠᏂᎨᏳᏣ ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᏧᎾᏁᎶᏗ ᎠᎴ ᏂᎯ ᎡᎵ ᎢᎨᏣᏛᏗ,” ᎠᏗᏍᎬᎢ. “ ᏙᎯᏳᏃ ᏓᏂᎦᎵᏍᏓᏗᏍᏗᏍᎪ ᎤᏂᎪᏓ ᎠᏂᏴᏫ ᏓᎾᏁᎶᎲᏍᎪᎢ.

McCarter shares blowgun dart-making knowledge

BY WILL CHAVEZ
Assistant Editor – @cp_wchavez
10/05/2015 08:41 AM
PARK HILL, Okla. – Cherokee artist Danny McCarter, of Tahlequah, possesses skills handed down by Cherokee people for hundreds of years. He makes blowguns from river cane and the darts shot from it.

Along with knowing these skills, he uses a blowgun at his job as a villager in the Cherokee Heritage Center’s Diligwa Village. He interprets for the village’s visitors the Cherokee lifeways of the mid-1700s.

To make darts, he uses a thistle plant and a wooden shaft, which is usually difficult for a person when first trying.

“I can teach people to make a blowgun in one day...but the dart is really the art part because it takes a lot of dexterity to roll the dart and catch the thistle on there,” he said. “It looks simple when you see somebody do it that’s done it a thousand times, but it’s really difficult.”

His late uncle, J.C. McCarter, who worked in the CHC’s Ancient Village, introduced him to the blowgun. Danny’s brother, Rob, and another villager named Scott Rackliff also had a hand in teaching Danny about the blowgun and dart making when they worked in the village in the 1980s.
Video with default Cherokee Phoenix Frame
Cherokee artist Danny McCarter, of Tahlequah, Oklahoma, attaches Scottish Thistle to a wooden shaft using thread to make a blowgun dart for a river cane blowgun. WILL CHAVEZ/CHEROKEE PHOENIX After tying thistle to a wooden shaft to make a blowgun dart, Cherokee artist Danny McCarter rolls the dart in his palms to get rid of loose seeds and downy from the thistle. WILL CHAVEZ/CHEROKEE PHOENIX Cherokee blowgun maker Danny McCarter removes seeds from a dry Scottish Thistle bulb before using it for fletching for a blowgun dart. He gathers the thistle in mid-to-late August. WILL CHAVEZ/CHEROKEE PHOENIX Scottish Thistle is used for blowgun dart fletching. The purple plant blooms about mid-August in northeastern Oklahoma. For a dart’s fletching, Cherokee artist Danny McCarter takes a dried thistle bulb and gently removes the brown, seedy part from the pod to avoid pulling out the white, fluffy part of the pod that will be used to form the fletching. WILL CHAVEZ/CHEROKEE PHOENIX
Cherokee artist Danny McCarter, of Tahlequah, Oklahoma, attaches Scottish Thistle to a wooden shaft using thread to make a blowgun dart for a river cane blowgun. WILL CHAVEZ/CHEROKEE PHOENIX

ᎠᏭᏂᏴᏍᏗ, ᎣᎦᎵᎰᎹ. – ᏣᎳᎩ ᎪᏢᏅᏍᎩ Danny McCarter, ᏓᎵᏆ ᎡᎯ ᎠᎦᏔᎭ ᎾᏍᎩ ᏍᎪᎯᏧᏈ ᎾᏕᏘᏯ ᏂᏓᏃᏢᏍᎪᎢ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ ᎾᏍᎩᏃ ᎠᎦᏘᎯ. ᏕᎪᏢᏍᎪ ᏚᏇᏍᏗ ᎾᎿ ᎢᎯᏯ ᏕᎪᏢᏗᏍᎪᎢ ᎠᎴ ᎾᏍᏊ ᏥᏥ ᏗᏍᏓᏲᏍᏙᏗ.

ᎾᏍᎩ ᎤᏅᏙ ᎯᎠ, ᎬᏗᏍᎪ ᏚᏇᏍᏗ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏍᏗ ᎦᏚᎲ ᎾᎿ ᏣᎳᎩ ᏧᎾᏓᎴᏅ ᎠᏰᏟ ᏗᎵᏆ ᎤᏍᏗ ᎦᏚᎲᎢ. ᏕᎧᏃᎯᏎᎰ ᎤᏍᏗ ᎦᏚᎲ ᎠᏁᏙᎯ ᎠᏂᏣᎳᎩ ᎠᏁᎲᎢ ᎾᎿ ᎦᎵᏆᏚ ᎢᏍᎪᎯᏧᏈ ᎤᏕᏘᏴᏌᏗᏒᎢ.

ᏥᏥ ᏗᎪᏢᏗᎢ, ᎬᏗᏍᎪ ᏥᏥ ᎠᎴ ᎬᎾᏍᏗ, ᎢᎬᏱ ᎠᏓᎴᏂᏍᎬ ᎡᎵ ᎠᏍᏓᏲᎢ ᎢᎪᏢᏗᎢ.

“ᎡᎵᏊ ᏱᏥᏰᏲᎲᎦ ᎨᎶ ᎾᎿ ᏚᏇᏍᏗ ᎪᏢᏗ ᏌᏊ ᎢᎦ…….ᎠᏎᏍᎩᏂ ᏥᏥ ᏓᏃᏎᎰ ᏚᏇᏍᏗ ᏗᏍᏓᏲᏍᏙᏗ ᎾᏍᎩ ᏙᎯᏳ ᏍᏓᏯ ᎪᏢᏗ ᎪᎯᏓ ᎾᏟᎢᎵᏙ ᏥᏥ ᎾᏍᎩ ᎢᎬᏅᏙᏗ ᎾᎿ ᎦᎾᏍᏗᎢ ᎪᎯᏗ ᎠᎵᏏᎾᎲᏍᏙᏗ ᎩᎳ Ꮩ ᎣᏍᏓ ᏴᏕᎶᏆ,” ᎠᏗᏍᎬᎢ. ᏛᎧᏂᏍᎬᏊ ᎠᎴ ᎩᎶ ᏱᎪᏢᏍᎦ ᎠᎯᏓ ᏄᏫᏍᏙ ᎠᏎᏃ ᎾᏍᎩ ᎢᏳᏩᎪᏛ ᎨᏒ ᎢᏩᏛᏁᎸ ᎨᏐᎢ, ᎠᏎᏃ ᎢᎦ ᏍᏓᏱᎢ.”

ᎤᏚᏥ ᏚᎸᏫᏍᏓᏁᎮ ᎾᎿ ᎤᏍᏗ ᎦᏚᎲ ᏧᎸᏫᏍᏓᏁᎯ ᎨᏎ ᎦᏙᎥ J.C. McCarter ᏚᏙᎡᎢ. ᎾᏍᎩᏃ ᎤᏪᏲᏁ ᏌᏊ ᎨᏒ ᏗᎾᏓᏅᏟ Rob ᏧᏙᎩᏓ, ᏐᎢᏃ ᏚᎸᏫᏍᏓᏁᎮ Scott Rackliff ᏚᏙᎡ ᎾᏍᎩᏍᏊ ᎤᏕᎶᏆᎡᎴᎢ ᎠᎴ ᏗᏍᏓᏲᏍᏙᏗ ᏥᏥ ᏗᎪᏢᏔᏅ ᎤᏕᎶᏆᎥᏁ ᎾᎿ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏁᎵᏍᎪ ᎤᏕᏘᏴᏌᏗᏒᎢ ᎨᏎᎢ.

Danny ᎠᏗᏍᎬ ᎤᎦᏎᏍᏔᏂᏙᎸ Ꮭ ᏙᎢ ᏱᎦᏅᏗ ᎾᎿ ᏙᎯᏳ ᎤᏓᎴᏅᎲ ᎦᏇᏍᏗ ᏓᏃᏢᏍᎬ ᎠᎴ ᎤᏓᎴᏅᎲᎢ, ᎠᏎᏃ ᏓᏅᏗᏍᎬ ᎠᏂᏃᎰᎵᏙᎲᎢ. ᎢᎦᏓᏃ ᎤᏛᎾ ᎤᎦᎾᏮ ᎠᎹᎵᎧ ᎠᏁᎯ ᎢᎦᏓ ᏓᏅᏗᏍᎪ ᏧᏠᏯ ᏚᏇᏍᏗ ᏚᏙᏢᏒ ᎠᏎᏃ ᏓᎾᏟᎲ ᏓᏅᏗᏍᎪ ᎠᎴ ᎠᏓᏟᏓᏗᏍᎩ ᎠᏂᏅᎵᏰᏍᎪ ᎦᎾᏍᏗᎢ. ᎾᏍᎩᏍᎩᏂ, ᎠᏗᏍᎬ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ ᏓᏅᏗᏍᎪ ᏚᏇᏍᏗ ᎾᎿ ᏌᎶᏂ, ᏥᏍᏚ, ᎠᎴ ᏥᏍᏆ ᏚᏂᏲᎲ ᏓᏂᎯᏍᏗᏍᎪ. ᎠᏂᏣᎳᎩ ᎨᎳ ᏗᎾᏛᏍᎩ ᏓᏅᏗᏍᎪ ᏓᏂᏲᏍᏗᏍᎪ ᎪᎱᏍᏗ ᏯᏕᏯᏙᏗ ᎤᏂᏫᏒᏅᎢ.

ᎠᏗᏍᎬ ᎠᏂᏣᎳᎩ ᏧᎾᏍᏗ ᎨᏒ ᎤᎾᏙᏢᏒ, ᎾᏍᎩᏃ ᎤᎪᏛ ᎠᏅᏔᏅᏍᎬ Ꮭ ᎠᏎ ᏙᎯᏳ ᎤᏟᏂᎩᏓ ᏱᎨᏎ ᎾᏍᎩᏍᎩᏂ ᎠᏂᎦᏔᎾᎢ ᎨᏒᎢ. ᎠᏗᏍᎬᏃ ᎢᎦᏓ ᎠᏂᏴᏫ ᎢᎦ ᏍᏓᏯ ᎠᎾᏦᏔᏍᎪ ᎾᎿ ᏚᏇᏍᏗ ᏝᏃ ᎾᏍᎩ ᏱᎩ ᎤᏟᏍᏗ ᏩᏦᏔᏍᏗ.

ᎠᏗᏍᎬ ᎤᏓᏠᏒ ᎾᎿ ᎠᎾᏓᎪᎾᏗᏍᎬ ᎾᏍᎩ ᎠᏂᏣᎳᎩ ᎤᎾᏕᏘᏱᏍᎬ ᎠᏍᏆᎵᏍᎬᎢ ᎬᏗᏍᎬᏃ ᏚᏇᏍᏗ ᏅᎩ ᎠᏰᏟ ᎢᎳᏏᏗ ᎢᎦᏅᎯᏓ ᎾᏍᎩᏃ ᎠᏂᏐᎢ ᎨᏴ ᏕᎦᏅᎯᏒ ᎾᏍᎩᏃ ᏫᏚᏂᏲᏍᏗ ᎨᏒ ᎾᎿ ᏅᎩᏍᎪ ᎯᏍᎩ ᏯᎳᏏᏗ ᎨᏐᎢ. ᎠᏗᏍᎬᏃ ᎾᏍᎩ ᎤᏤᎵ ᏚᏇᏍᏗ ᏱᏚᏍᏓᏲᏟ ᎤᎪᏙ ᎤᏟᏂᎩᏓ ᎠᏝᏫᏗᏍᎪᎢ ᎾᎿ ᎦᏅᎯᏓ ᎨᏒᎢ ᏅᎩᏍᎪ ᎯᏍᎩ ᎢᏯᎳᏏᏗ ᎨᏐ ᏫᏓᏂᏲᎯᎲᎢ. ᎠᏗᏍᎬ ᎾᏍᎩ ᏱᏓᏍᏓᏲᏟ ᎾᏍᎩ ᏍᏆᎳᎯᎨ ᏴᎬᏗ ᎤᎪᏙ ᎤᏟᏂᎩᏓ ᎨᏐ ᎠᎴ ᎠᏅᎯᏲ ᎠᏟᏫᏗᏍᎪᎢ.

Danny ᎠᎴᏂᏍᎪ ᎦᏟᏏᏍᎬ ᎠᎴ ᎤᏲᎰ ᏥᏥ ᎢᎾᎨᎢ ᎾᏍᎩ ᏳᏥᎸᎾ ᎠᏰᏟᏴ ᎤᏂᎩᏓ ᎦᎶᏂ ᎠᎴ ᏚᎵᏍᏗ ᏕᎧᎸᎢ ᏱᎩ ᎤᏲᎰ ᎾᏍᎩ ᎠᎭᏂ ᎨᏒᎢ. ᎾᏍᎩ ᎠᏕᎭᎵᎩ ᎠᏥᎸᏍᎪ ᎾᏍᎩ ᎤᏴᏢ ᎢᏗᏢ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᎴ Ꮟ ᎣᏂᏴ ᎤᏣᏘᏂ ᎨᏒᎢ. ᎠᏗᏍᎬᏃ ᎾᏍᎩ ᏥᏥ ᏏᏉᏲ ᏍᎦᏚᎩ Ꮭ ᏯᏥᎸᏍᎪ ᎠᏰᏟ ᎤᏂᎩᏓ ᏚᎵᏍᏗ ᎧᎸ.

“ᏝᏃ ᎣᏍᏓ ᏱᎩ ᎢᎬᏅᏕᏍᏗ ᎾᏍᎩ ᏕᎭᎵᎨ ᏳᏥᎸᎭ. ᎢᎬᏅᏕᏍᏗ ᎾᏍᎩ ᎤᏬᏗᎨ ᏱᎩ. ᎢᏳᏃ ᏱᏂᎬᏂᏕᏏ ᎠᎴ ᏯᏍᏆᏂᎪᏔᏅ ᎾᏍᎩ ᏕᎭᎵᎨ ᏱᎩ ᏱᎧᎾᏬᏓᏛᎦ (ᎣᏂ ᎬᏙᏗ ᏱᎵᏏ), ᏱᎧᎾᏬᏓᏛᎦ,” ᎠᏗᏍᎬᎢ.

ᎠᏗᏍᎬ ᎾᏍᎩ ᎦᏅᎯᏓ ᎤᏝᏫᏗᎢ ᏥᏥ ᎾᏍᎩ ᏬᏌᏂᏴᎢ ᎬᏙᏗᎢ ᎤᏟᏍᏗ ᎬᏙᏗᎢ, ᎠᏗᏍᎬ ᏂᎦᏓᏊ ᎢᏳᏍᏗ ᎣᎦᎵᎰᎹ ᎠᏁᎯ ᎠᏂᏣᎳᎩ ᏓᏅᏗᏍᎪ ᏚᏇᏍᏗ ᎠᎾᏓᎪᏅᏗᏍᎬᎢ ᎾᏍᎩ ᏫᏚᏂᏲᏍᏗ ᏅᎩᏍᎪ ᎯᏍᎩ ᎢᎳᏏᏗ ᎢᏴᎢ ᎠᎴ ᏚᎪᏛ ᏚᏇᏍᏗ ᏧᏂᎳ ᎠᎴ ᏍᎪᎯ ᎢᎳᏏᏗ ᎢᏗᎦᏅᎯᏓ ᎨᏐᎢ. ᏯᏛᏂᏃ ᎦᎶᏇ ᏱᎩ, ᏚᏇᏍᏗ ᏱᎩ ᎦᏅᎯᏓ ᏱᎩ ᎢᎾ ᏫᎦᎷᎪ ᏥᏥ ᎦᏅᎯᏓ ᎠᏝᏫᏗᏍᎪᎢ.

ᏱᎰᏓᎪᏢᎾ ᏧᏍᏓᏲᏍᏙᏗ, ᎤᎧᏲᏓ ᎬᏗᏍᎪ ᎠᎴ ᏂᏕᎬᏅᏕᏍᎪ ᏂᎦᏓ ᎤᏬᏗᎨ ᎨᏒ ᎠᎴ ᎤᏂᎦᏘ ᎾᏍᎩ ᎤᏁᎦ ᎨᏒᎢ ᏂᎦᏓ ᎧᏃᎯᏯᏍᎪ ᎤᏬᏢᏙᏗ ᏥᏥ.

“ᎾᏍᎩᏊᏃ ᎢᎦ ᎨᏐ, ᎾᏍᎩ ᎭᏫᏂ ᏄᏍᏛᎢ ᏕᎪᏢᏗᏍᎪᎢ,” ᎠᏗᏍᎬᎢ.

ᏃᏊᎴ ᎠᏴᏩᏘᏍᎪ ᎦᏥᏃᏍᏗ ᎠᏓ ᎠᎴ ᏓᏰᎶᎰ ᎦᎸᎳᏗ. ᎠᏗᏍᎬ ᎨᎶ ᎠᎵᏊ ᏱᏕᎪᏢᏗ ᎢᎯᏯ ᎠᎴ ᎧᎶᏇᏓ ᏓᎶᏂᎨ ᎾᏄ ᏍᏓᏯ ᎠᏓ ᎤᏬᏚᎯ ᎾᏍᏊ. ᏗᏐᎢ ᎠᏓ ᏗᎦᎬᏙᏗ ᎾᏍᎩ ᏧᏍᎦ, ash, maple, ᏩᏁᎢ, ᎠᎴ ᏎᏗ. ᎠᏎᏍᎩᏂ, ᎤᏟᏍᏛᎢ ᏗᎪᏢᏗ ᏱᏓᏩᏏᏊ ᏕᎦᎳᏗᏍᏛ ᎦᏅᏍᏗ ᎠᎾᏓᏍᏓᏴᎲᏍᎪ ᏓᏅᏗᏍᎪᎢ.

ᎦᎸᎳᏗ ᏱᏓᏰᎳᎵ, ᏴᎩ ᎦᏰᏫᏒᏙᏗ ᎬᏗᏍᎪ ᎠᎴ ᏓᎧᏁᎯᎰ ᎠᎴ ᏂᎬᏅᏗᏍᎪ ᎾᎿ ᎬᎾᏍᏗᎢ.

ᏃᎴ ᎾᏍᎩ ᎤᏁᎦ ᏩᏂᎨ ᎨᏒ ᎦᏅᏍᏗᎢ ᏃᏊ ᎠᏍᏘ ᎠᎴᏂᏍᎪ ᎦᎸᏪᏯᏍᏗᏍᎪ ᎪᏢᏍᎪ ᏚᏇᏍᏗ ᏗᏍᏓᏲᏍᏙᏗ. ᏙᎯᏳᏃ ᏕᎬᏗᏍᎪ ᏧᏬᏰᏂ ᎠᎴ ᎾᏍᏊ ᏗᎦᏅᏙᎬ ᎾᏍᎩ ᏕᎬᏗᏍᎪ ᏂᎬᏅᏗᏍᎬ ᏥᏥ ᎾᎿ ᎬᎾᏍᏗᎢ.

ᏓᎧᏁᎯᎰ ᎤᏍᎪᎵ ᎠᎴ ᎾᏍᎩ ᏩᏂᎨ ᎨᏒ ᎠᎴ ᎦᎸᏪᏯᏍᏗᏍᎪ ᎦᏅᏍᏗᎢ ᏂᎦᏓᏃ ᏳᎸᏪᏯᏍᏔᏂ ᏂᎬᏅᏕᏍᎪ ᏂᎦᏓ ᏃᏒ ᎨᏒᎢ.

“ᏧᏓᎴᏅᏓ ᎣᎬᏔᏅᎾ ᏙᏦᏢᏗᏍᎬ ᏗᏲᏍᏙᏗ ᏯᏛᎾ ᏥᏍᏆ, ᏌᎶᎵ ᎦᏙᎩ, ᎠᎴ ᏥᏍᏚ ᎤᏩᏂ. ᎠᏂᏣᏗ ᎾᏍᎩ ᎧᏍᎩᏲᎩ ᎠᏁᎯ ᎠᏅᏗᏍᎪ ᎤᏥᎸᎢ ᏅᏗᎦᎵᏍᏙᏗ ᎾᏍᎩ ᎤᏥᎸ ᎠᎾᏛᎯᏍᏗᏍᎩ, ᎠᏎᏃ ᏥᏥ ᎾᏍᎩ ᏬᏌᏂᏴ ᎠᏗᏍᎬᎢ,” ᎠᏗᏍᎬᎢ. ᎾᏍᎩᏃ ᎯᎠ ᎠᏍᏕᎵᏍᎪ ᏥᏥ ᎦᎶᏇᎯ ᎠᏰᏟ ᎢᏳᎵᏍᏙᏗ , ᎠᎴ ᎠᏍᏕᎵᏍᎪ ᎦᎶᏇᎯ ᏥᏳᎪᏓ ᎢᏳᎵᏍᏙᏗ ᏥᏥ ᎾᏍᎩ ᎤᏠᏯ ᎦᏟᏓ.

http://www.wherethecasinomoneygoes.com

Three C’s of Crawdads: catching, cleaning and cooking

BY JAMI MURPHY
Former Reporter
08/19/2015 08:00 AM
LOST CITY, Okla. – Cherokee Nation citizen Larry Shade has lived his life in this northern Cherokee County community learning the ways of the Cherokee culture from his grandparents and father, the late Deputy Chief Hastings Shade. Among the cultural aspects he’s learned, one he truly enjoys is crawdad gigging.

Larry gigs crawdads in a section of Fourteen Mile Creek that his family owns.

“It’s just something that my dad always did when we were growing up. He worked, and when he came home that was the first thing we were going to do. We’d go out in the daytime, but a lot of times we’d go out at night, which is a lot easier,” he said. “It’s just a time-honored tradition that we hold true to our culture.”

He said many people who catch crawdads use traps, but he and his family use homemade gigs, something he also learned to do from his father.

“The gigs we are using tonight are all hand-forged by my dad. I’m in my 50s and the gigs that we’re going to use, I was 18 when dad made them,” he said.
Video with default Cherokee Phoenix Frame
Cherokee Nation citizens Larry, left, and Dustin Shade hunt for crawdads at night in Fourteen Mile Creek in Cherokee County. The father-son duo used homemade gigs to catch the crustaceans. JAMI MURPHY/CHEROKEE PHOENIX Father and son Larry, left, and Dustin Shade clean crawdads after gigging them in Fourteen Mile Creek. JAMI MURPHY/CHEROKEE PHOENIX Before cooking crawdads, Larry Shade and his family soaks the cleaned crustaceans in hot water with salt. After draining them, the Shades add salt and pepper, cornmeal and then fry them in oil. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Larry Shade, the son of the late Deputy Chief Hastings Shade, cooks crawdads and fried potatoes near the bank of Fourteen Mile Creek in Lost City, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX Larry Shade holds a cleaned crawdad just after being caught out of Fourteen Mile Creek in Cherokee County. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Dustin Shade shows a large crawdad he caught. COURTESY Cherokee Nation citizen Larry Shade, the son of the late Deputy Chief Hastings Shade, holds a gig made by his father more than 30 years ago. Larry continues to use the gig to hunt crawdads. JAMI MURPHY/CHEROKEE PHOENIX
Cherokee Nation citizens Larry, left, and Dustin Shade hunt for crawdads at night in Fourteen Mile Creek in Cherokee County. The father-son duo used homemade gigs to catch the crustaceans. JAMI MURPHY/CHEROKEE PHOENIX

LOST CITY, ᎣᎦᎳᎰᎹ.- ᏣᎳᎩᎯ ᎠᏰᎵ ᎨᎳ Larry Shade Z ᎤᏴᏢᎢ ᏗᏜ ᏣᎳᎩᎯ ᏍᎦᏚᎩ ᏗᎦᏚᎿᎢ ᎦᏁᎳ ᏓᏕᎶᏆᎡᎲᎢ ᎤᏙᏓ ᎠᎴ ᎤᏂᏏ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ, ᎾᏍᎩ ᏔᎵᏁ ᎠᏓᎴᏁᎢ ᎤᎬᏫᏳᎯ ᎢᏳᎵᏍᏔᏂᎢ Hastings Shade. ᎾᏍᎩ ᎢᏯᏛᏁᎵᏓᏍᏗᎢ ᎤᏕᎶᏆᎥᎢ, ᎾᏍᎩ ᏭᎸᏈᏛᎢ ᏥᎩ ᏥᏍᏛᎾ ᏕᎦᏘᎲᎢ.

Larry Ꮓ ᏕᎦᏘᎰᎢ ᏥᏍᏛᎾ ᎥᎿᎾᏂ ᏂᎦᏚ ᎢᏳᏟᎶᏓ ᎠᎹᏱ ᎤᏪᏴᎢ ᎾᏍᎩᏃ ᎠᏂᏏᏓᏁᎸᎢ ᏥᎩ ᎤᎾᏤᎵᎪᎯ.

“ ᎾᏍᎩ ᎢᏯᏛᏁᎯ ᎨᏒᎢ ᏂᎪᎯᎸᎢ ᎣᎩᏙᏓ ᏙᎦᏛᏏᏗᏒᎢ. ᎾᏍᎩ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᏱᎤᎷᏥ ᎾᏍᎩᏃ ᎥᏍᎩ ᎢᎬᏱᎢ ᏃᏣᏛᏁᎲᎢ. ᎢᎦ ᏱᎩ ᎣᏤᏙᎲᎢ, ᎠᏎᏃ ᏭᎪᏛᎢ ᎨᏒ ᎤᏒᎢ ᏱᎩ ᏬᏤᏙᎲᎢ, ᎾᏍᎩᏃ ᎠᎯᏗᏳ ᎨᏒᎢ,” ᎠᏗᏍᎬᎢ. “ ᎾᏍᎩᏃ ᎦᎸᏉᏗ ᎢᏲᎦᏛᏁᎵᏓᏍᏗ ᎣᎩᎭ ᏙᎩᏂᏱᏓ.”

ᎢᎧᏃᎮᏍᎬᎢ ᏭᏂᎪᏛᎢ ᏴᏫ ᏗᏌᏛᏗ ᏓᏅᏗᏍᎪᎢ ᏥᏍᏛᎾ ᏓᏂᏂᏍᎬᎢ, ᎠᏎᏃ ᎤᏮᏌ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᎤᏅᏌ ᏧᏃᏢᏅᎢ ᏗᎦᏘᏍᏗ ᏓᏅᏗᏍᎪᎢ, ᎾᏍᎩ ᏥᎩ ᎤᏕᎶᏆᎡᎸᎢ ᎤᏙᏓ.

“ ᎾᏍᎩᏃ ᏗᎦᏘᏍᏗ ᏥᏕᏛᏗᎲᎢ ᎪᎯ ᎤᏒᎢ ᎡᏙᏓ ᏧᏬᏢᏅᎢ. ᎯᏍᎩ ᏍᎪᎯ ᎤᎶᏒᏍᏗ ᎢᏯᏆᏕᏘᏴᏓ ᎠᎴ ᎾᏍᎩ ᏗᎦᏘᏍᏗ ᏥᏙᏓᏛᏔᏂ, 18 ᏁᎳᏚ ᎢᏯᏆᏕᏘᏴᏓ ᎨᏒᎢ ᎾᎯᏳ ᏥᏚᏬᏢᏅᎢ,” ᎠᏗᏍᎬᎢ.

Hastings Ꮓ 2010 ᏥᎨᏒᎢ ᎤᏲᎱᏎᎢ 67 ᎢᏳᏕᏘᏴᏓ ᎨᏒᎢ ᎾᎯᏳ. ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎪᎵᎦ ᎨᏒᎢ ᎠᎴ ᏂᎬᎾᏛ ᎠᏃᏟᎩ ᎨᏒᎢ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎠᏍᏆᏂᎪᏗᏍᎩ ᎨᏒᎢ ᎠᎴ ᎠᏏᎾᏏ ᎨᏒᎢ ᎤᏬᏢᏅᏗᎢ. ᎠᎴ ᎠᏂᏣᎳᎩ ᎢᎬᎾᏕᎾ ᎠᏁᎯ ᎠᏃᏢᏅᏍᎩ ᎨᏥᎸᏉᏗᏍᎩ ᎨᎳ ᎥᎨᏒᎢ ᎾᎯᏳᏃ 1991ᏗᎬᏓᎴᏂᏍᎩ ᎾᏍᎩ ᏄᏍᏛᎢ ᎤᏬᏢᏅᏗᎢ, ᎾᏍᎩ ᏗᎦᏘᏍᏗ ᎦᎪᏢᏍᎩ ᎢᏳᏍᏗ.

ᏛᎦᏘᎲᏃ, ᎢᎧᏃᎮᏍᎬᎢ Larry ᏗᎬᏩᏂᏰᏍᏗᏃ ᏱᎦᎢ ᏓᏂᏂᏱᏍᎬᎢ ᏥᏍᏛᎾ. ᎾᏍᎩᏃ ᎤᏩᏌ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᏱᏓᏄᎪᏓ ᏱᎦᎢ ᏥᏍᏛᎾ ᏗᎬᏩᏂᏂᏗ ᎾᏍᎩ ᏧᏁᎵᏍᏗᎢ ᎠᏂᎥᎢ ᎠᎴ ᏳᏁᎾ ᎥᏍᎩᏭ ᏱᎦᎢ ᏓᏂᏂᏍᎬᎢ.
“ ᏙᏥᏂᏯᏍᎬᏃ ᎠᏂᏐᎢ ᎠᏂᏏᏓᏁᎸᎢ ᏧᏂᏂᏗ ᎠᎴ ᎡᏘᏴᎢ ᏦᎩᏂᏗ, ᎥᏝᏃ ᏦᎬᏙᏗ ᏂᎨᏒᎾ ᏱᏙᏥᎾᏫᏗᎰᎢ,” ᎠᏗᏍᎬᎢ. ᎾᏍᎩ ᏄᏍᏗ ᎠᏣᎳᎩ ᎢᏳᏛᏁᏗᎢ.”

ᎾᏍᎩᏃ ᎢᎧᏃᎮᏍᎬᎢ ᏭᎪᏛᎢ ᎠᏂᏏᏓᏁᎸᎢ “ᏳᎾᏓᏟᏌᏂ” ᎾᎯᏳ ᎤᏒᎢ ᏯᏁᎾ ᏥᏍᏛᎾ ᏱᏓᏂᏘᏡᎦ.

“ᎠᏇᏥᏃ ᎠᏧᏣ ᎠᎴ ᏧᎵᎢ ᎠᎴ ᎠᏇᏥ ᎠᎨᏳᏣ, ᏲᏤᎾ ᎠᎴ ᎠᏂᏔᎯ,” ᎠᏗᏍᎬᎢ. ᎠᎹᏱᏃ ᎦᏁᎲᎢ ᎣᏣᎢᏐᎢ ᏳᏴᏜ ᎠᎴᏱᎩ ᏳᎦᎾᏩ, ᎠᎴᏱᎩ ᏜᏄᏐ ᏯᏂᏯᎠ ᎠᎴ ᏱᎩ ᎢᎾᏛᎯ ᏱᎩ. ᎤᎾᏂᏙᏃ ᏂᎦᏂᏰᎬᎢ ᎥᎿᎾᏂ, ᎠᏎᏃ ᏙᎦᏛᏏ ᎥᏍᎩ ᏂᎬᏲᏣᏛᏁᎰᎢ.”

ᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎢᏳᏛᏁᏗᎢ Shade ᎥᏝ ᎠᎯᏓ ᏱᎩ, ᎠᏗᏍᎬᎢ Larry, ᎠᏎᏅ ᎾᏍᎩ ᏂᎤᏍᏗ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎠᎴ ᎾᏍᎩ ᏂᎤᏍᏗ ᎤᎭ ᎦᎸᏉᏗᏍᎬᎢ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᏗᎢ ᎠᎴ ᏄᏍᏛᎢ ᎤᏂᏍᏓᏩᏛᏍᏗ.

“ ᎾᏍᎩᏃ ᎤᎪᏗ ᎠᎯᏗᏱ ᎾᏍᎩ ᎢᏯᏛᏁᏗᎢ ᏗᎦᎦᏂᏱᏗ ᎨᏒ ᏥᏍᏛᎾ, ᎠᏎᏅ ᎾᏍᎩ ᏂᎤᏍᏗ ᏱᎦᏲᎦᏛᏁᏗ ᎨᏒᎢᏢ,” ᎠᏗᏍᎬᎢ. “ ᏥᏏᎾᏏᏃ ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗᎢ ᎠᎴ ᎠᏍᏓᏯ ᏄᏓᎴᎢ ᎪᎱᏍᏗ ᎢᏯᏆᏛᏁᏗᎢ.”

Larry Ꮓ ᎢᎧᏃᎮᏍᎬᎢ ᎦᏅᏓᏗᏍᎬᏃ ᏂᏗᎦᏘᏟᏙᎲᎢ.

“ ᏂᏗᎬᏓᎴᏂᏍᎩᏃ ᎡᏙᏓ ᏁᎳᎩ ᎤᏪᎵᏍᏗᎢ ᎠᎴ ᎡᎵ ᎢᏲᎦᏕᏘᏴᏓ ᏄᎵᏍᏔᏂ ᎠᎴ ᎣᎪᏟᏍᏗᎢ ᏄᏍᏛᎢ ᎦᏛᎬᎢ ‘ᎥᏝ’ ᎠᎴ ᏞᏍᏗ ᎥᏍᎩ ᏱᏣᏛᏁᎸᎢ,” ᎠᏗᏍᎬᎢ. 5 ᎯᏍᎩ ᎠᎴᏱᎩ 6 ᏑᏓᎵ ᏓᎬᏛᏂ ᎢᏲᎦᏕᏘᏴᏓ ᎨᏒᎢ … 46 ᎾᏕᏘᏯ ᏥᎨᏒᎢ.”

ᎾᏍᎩ ᎢᎧᏃᎮᏍᎬᎢ ᎢᎸᎯᏳᏃ ᏥᎨᏒᎢ ᏥᏍᏛᎾ ᏛᎦᏂᏱᏍᎬᎢ ᎾᏍᎩ ᏄᏍᏕᎢ ᏗᎦᎨᎳᏍᏗ ᎨᎲᎢ ᎠᏂᏏᏓᏁᎸᎢ. ᎥᏝ ᎥᏍᎩ ᏱᏄᏍᏗ ᎪᎯᏴᏥᎩ, ᎠᏎᏃ ᎾᏍᎩ ᎠᎬᏔᎲᎢ ᏏᏓᏁᎸᎢ ᏧᏪᎵᏍᏗᎢ ᏏᏓᏁᎸᎢ ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎠᎴ ᎠᏍᏆᏂᎪᏙᏗ.

“ ᏗᎬᎩᏚᏓᏃ ᎾᏍᎩ ᎤᏠᏱ ᏄᎾᏛᏁᎳ ᎠᎴ ᎤᏁᏲᎾ ᎡᏙᏓ. ᎠᎴ ᎡᏚᏓ, ᏕᎦᏃᏗᏍᎬᎢ ᏔᎷᎩᏍᎩ, ᎾᏍᎩ ᎠᎨᏲᏅᎢ ᎡᏙᏓ,” ᎠᏗᏍᎬᎢ Larry. “ Dustin’s (Larry’Z ᎤᏪᏥ) ᎣᎩᎾᎵᏲᏐᎢ ᏭᎪᏛ ᎨᏒ ᎠᎴ ᎢᎦᎵᎮᎪᎢ ᎣᎩᎾᎵᎪᎲᎢ ᎠᎴ ᎤᏚᎩ ᎠᏋᏐᎢ ᏂᎬᏯᎢᏎᏍᏗᏊ ᎾᏍᎩ ᎠᏧᏣ. ᎥᏝᏃ ᏂᎪᎯᎸᎢ… ᏲᏤᎮᏍᏗ ᎠᎴ ᎤᏚᎩ ᎠᏋᎭ ᎾᏍᎩ ᎢᏲᎦᏛᏁᎵᏓᏍᏗᎢ ᏦᎩᎭ… ᏗᏂᏲᏟ ᏦᎨᏥ ᎠᎴ ᏗᏂᏲᏟ ᏓᎩᎧᎲᎢ ᎠᏂᏧᏣ ᎠᎴ ᎠᏂᎨᏳᏣ ᎠᎴ ᏧᎾᎵᎢ ᎤᏚᎩ ᎠᏋᎭ ᏂᎬᏂᎯᎵᏎᏍᏗᏊ ᎾᏅᏛᎲᎢ ᎤᏠᏱ.”

Larry Z ᎢᎧᏃᎮᏍᎬᎢ ᎩᎶ ᎢᎸᎯᏳ ᎤᏁᏟᏔᏅᎢ ᏂᎨᏒᎾ ᏱᎩ ᏧᏩᏘᏍᏗᎢ ᏳᎾᏚᎵᎠ ᏱᏛᏂᏃᎲᎵ ᎠᎲᏂ larry-shade@cherokee.org.

ᏱᎦᎵᎮᎵᎦ ᏥᏩᏛᏗᎢ. ᏗᏍᏆᏟᏍᏓᏁᎸᎢ. ᏱᎦᏯᏘᏄᎦ. ᎤᏒᏃᎢ ᏱᏁᎾ ᎠᎴ ᏱᎬᏰᏲᎲᎦ ᎢᏯᏛᏁᎵᏓᏍᏗᎢ,” ᎠᏗᏍᎬᎢ. “ ᎾᎢᎥᎢ ᎠᏂᏣᎳᎩ ᎠᎴᏱᎩ ᏣᎳᎩᎯ ᎨᎳ. ᎢᏳᏃ ᏳᎾᏚᎵᎠ ᎤᎾᏕᎶᎰᎯᏍᏗᎢ ᎪᎯᎩ ᏥᎨᏒ ᏄᎵᏍᏔᏅᏅᎢ ᎠᎴ ᎦᏲᏟ ᎢᏱᎦᏛᏁᎵᏓᏍᏗᎢ.”

Catching

Larry Shade ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᎤᎾᏙᏢᏒᎢ ᏍᎦᏃᎵ ᎠᎾᎢᏐᎢ ᎠᎹᏱ ᏗᏨᏍᏗ ᏗᎪᎯᏅᏍᏗ ᏓᏂᏰᎰᎢ, ᎠᎴ ᎤᎵᏣᏗ ᎠᎴ ᏗᎦᏘᏍᏗ. ᏥᏍᏛᏂᏃ ᎤᏒᎢ ᎠᎾᎵᏍᏓᏂᏙᎰᎢ.

ᎾᏍᎩᏃ ᎠᏂShade ᎤᏅᏬᏛᎢ ᎠᎴ ᏍᏛᎩᎢ ᎠᎹᏱ ᏓᏂᏂᏱᎰᎢ. “ᎭᏢᏊ ᏗᏩᏛᏗ ᏱᎩ ᏥᏍᏛᎾ. ᎾᏍᎩᏃ ᏗᏁᏙᎲᎢ ᏫᏣᎷᎯᏍᏗ. ᎥᏝ ᏂᎯ ᎮᏙᎲᎢ ᏱᎬᏂᎷᎩ,” ᎠᏗᏍᎬᎢ.

LarryZ ᎢᎧᏃᎮᏍᎬᎢ ᏭᏂᎪᏛᎢ ᏴᏫ “ᏓᏂᏌᏛᏍᎪᎢ” ᎾᎯᏳ ᎤᏒᎢ “chum” ᏭᎾᏕᎪᎢ ᎠᎴᏱᎩ ᎪᎱᏍᏗ ᎤᏂᎩᏍᏗ Ꮎ ᏥᏍᏛᎾ ᎠᎴ ᏓᏂᏌᏛᏍᎬᎢ. “ ᎠᏣᏗᏃ ᏱᏓᎩᏅᎦᎸᎯ, ᏳᏓᎵᎭ ᎥᏍᎩᎾᎾ ᏱᏩᏮᏓᎤᎦ ᎠᎹᏱ ᎠᎴ ᎾᏍᎩ ᎤᏂᎩᏍᏗᏭ ᏥᏍᏛᎾ. ᎥᏝ ᏱᎦᏥᏌᏛᏍᎪᎢ ᏥᏍᏛᎾ. ᎾᏍᎩ ᎪᎯᎩᏴ ᏥᎿᎾᏛᎲᎲᎢ ᏃᏣᏛᏁᎰᎢ. ᎥᏝ ᏱᏥᎶᏄᎮᏍᎪᎢ,” ᎠᏗᏍᎬᎢ.

LarryZ ᎢᎧᏃᎮᏍᎬᎢ ᏱᏛᎦᏘᎭ, ᎾᎥᏃ ᏫᎦᎷᎯᏍᏗ ᏥᏍᏛᎾ ᏗᏁᏙᎲᎢ ᎡᎵᎢ ᏱᎩ ᏂᏛᏍᎦᏍᏓᏁᎲᎾ ᏱᎩ, ᎾᏊᏃ ᏗᎦᏘᏍᏗ ᏥᏍᏛᎾ ᎦᏘᏍᏗ ᎬᏗ ᎦᏚᎢᏗᏜ ᏥᏍᏛᎾ ᎠᏰᎸᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎦᏂᏓᏛᎢ ᎦᏰᏍᏗ ᎠᎴ ᎥᏝ ᏱᏣᏚᎵᎠ ᏣᏲᏍᏙᏗᎢ. ᎾᏍᎩᏃ ᏱᎧᏃᎮᏍᎬᎢ ᎤᎵᏍᎨᏗᏯ ᎾᎯᏳ ᏥᏍᏛᎾ ᏱᏙᏲᎭ ᎠᏎᎢ ᎢᎦᎯ ᎠᏨᏍᏗ ᎠᏫᏗ ᏰᎵᏊ ᎠᎹᏱ ᎭᏫᎾ ᏫᏗᎬᏩᎸᏌᏓᏗᏍᏗᎢ ᎠᎴ ᎣᏂᏘ ᎢᏳᎵᏍᏙᏗ ᎥᎿ ᎬᏩᏕᏱᏓ ᎥᏙᎲᎢ.

Cleaning and cooking

ᎣᏍᏓᏃ ᏱᎦᎢ ᏱᏗᎦᏂᏴᎯ, LarryᏃ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᏓᏂᏅᎦᎵᏍᎪᎢ Ꮎ ᏥᏍᏛᎾ, ᎥᎿᎿ ᎠᎹᏳᏟᏗ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎠᎯᏗᏭ ᎨᏐᎢ.

“ ᎾᏍᎩᏃ ᏃᏣᏛᏁᎲᎢ ᏱᏙᎩᏅᎦᎸ ᎦᏚᎢ ᏗᏜ ᎠᎴ ᎦᏌᎾᎩᏍᏗ ᎦᎸᏓᎬᏘ ᎠᎴ ᎦᏅᎦᏟᏗ ᏱᏗᎬᏓᎡᏗ ᏚᎩᏧᎸᎢ. ᎠᎴ ᎣᏂᏗᏢ ᏗᏜ ᎦᏂᏓᏛᎢ ᎠᏰᏟ ᎤᏥᏍᎦᏢᎢ ᏱᎬᏂᏕᏍᏗ. ᎤᎩᏧᎸᏃ ᏅᎬᏂᏕᎠ ᎾᏍᎩ ᏱᎾᏛᏁᎳ. ᏭᎪᏛᏃ ᎨᏒ ᏙᏥᎳᏕᏍᎪᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎠᎩᏍᏗ ᎨᎰᎢ ᎢᎬᏱᏗᏜ ᏗᏜ ᎤᏕᏅᎢ ᎾᏍᎩ ᏱᎬᏂᏍᏔᏂ ᎠᎴ ᏲᏥᏲᏍᏓ ᎦᏂᏓᏛᎢ ᏗᏜ ᎤᏕᏅᎢ ᎠᎴ ᏲᏥᎦ ᎭᏫᏯ ᎥᎿ ᏄᏍᏛᎢ ᎤᏯᏍᎦᏢᎢ ᎭᏫᏂ.”

ᏲᎩᏍᏆᏓ ᏙᏥᏅᎦᎵᏍᎬᎢ, ᏙᏨᏩᏢᏍᎪᎢ ᏥᏍᏛᎾ ᎤᏗᏞᎩ ᎠᎼᎢ ᏍᏗ ᎠᎹ ᏚᎵᏍᏔᏅᎢ ᎾᏍᎩ ᎤᎾᏓᏅᎦᏗᎢ ᏥᏍᏛᎾ ᎠᎴ ᎤᏂᏲᏍᏗ ᏂᎨᏒᎾ ᏫᏛᎬᏂᏍᏗᎲᎢ ᏱᎪᎯᏓ.

ᎢᏳᏃ ᎠᏂShade ᏂᏚᏅᏂᏍᏔᏅᎾ ᏱᎩ ᎾᎯᏳ ᎤᏒᎢ, LarryᏃ ᎢᎧᏃᎮᏍᎬᎢ ᏳᏓᎵᎭ ᏑᏟᎶᏓ ᏕᎦᏟᏗᎢ ᏱᏕᎦᎸᎠ ᎠᎹᏃ ᏯᏟᏍᏗ ᏥᏍᏛᎾ ᏕᎦᎸᎢ ᎠᏗᏙᏗᏃ ᏥᏚᏍᏗᎧ ᏯᎧᎵᏣ ᎠᎹ ᏱᏕᎫᎵᏍᏓ ᏥᏍᏛᎾ ᎠᎴ ᎦᏁᏍᏓᎳᏗᏍᎩ ᏱᏕᎦᎸᎠ.

ᎾᏊᏃ ᏳᏟᎠᎶᏝ ᏗᎬᏂᏍᏙᏗᎢ, Larry ᎢᎧᏃᎮᏍᎬᎢ ᎥᏝ ᎪᎱᏍᏗ ᏄᏓᎴᎢ ᏳᏑᏯᏃᎢ, ᎠᏑᏴᏙᏗᏊ ᏍᏗᎢ ᎠᎴ ᏌᎷᎢᏌ.

ᎢᎧᏃᎮᏍᎬᎢ ᏍᏗᏃ ᎠᎹ ᎠᎴ ᏗᏆᏲᏗ ᎠᎴ ᏍᏗᏭ ᏎᎷᎢᏌ ᏗᎦᏅᎵᏰᏗ ᏥᏍᏛᎾ.

“ ᏍᏗᏃ ᎠᎹ ᎠᎴ ᏍᏗ ᏗᏆᏲᏗ ᎠᎴ ᎿᏊ ᏍᏗ ᏎᎷᎢᏌ ᎠᎴ ᏱᏛᎬᏣᏢᎦ,” “ᎠᏊᏂᏔ ᎥᏝ ᏙᏳᎢ ᎣᏍᏓ ᏱᎩ ᏗᎬᏣᏢᏅᎢ ᏱᎩ, ᎠᏎᏅ ᎥᏍᎩᏭ ᏂᎦᏲᏣᏛᏁᎰᎢ ᏙᏦᎦᏛᏒᎢ.”

CCO brings Cultural Enlightenment Series to local community

BY STACIE BOSTON
Reporter – @cp_sguthrie
07/30/2015 08:00 AM
BRIGGS, Okla. – The Cherokee Nation’s Community and Cultural Outreach has found a way to help CN citizens and local community members learn more about the Cherokee culture with its Cultural Enlightenment Series.

The series is held the second Tuesday of each month, and in July it took place at the TRI Community Association W.E.B. Building (Welling, Eldon and Briggs) in Briggs. Those attending watched participants play Cherokee marbles, weave baskets and perform other family and culture-friendly activities.

CCO Director Rob Daugherty said this is just one of the many communities his department reaches out to within the tribe’s 14-county jurisdiction.

“This is one of the buildings that we helped start fund along with other departments of the Cherokee Nation,” he said. “In our jurisdiction area we have several of these building and we work with approximately 38 community buildings that we have. We work with way more communities than that, but this is one of them.”

Daugherty, who watched the marble games, said he’s glad the community has taken up the sport.
Video with default Cherokee Phoenix Frame
Principal Chief Bill John Baker, right, plays a game of Cherokee marbles at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. The Cherokee Nation’s Community and Cultural Outreach hosted its Cultural Enlightenment Series at the community that included marbles and basket weaving. STACIE GUTHRIE/CHEROKEE PHOENIX Cherokee Nation citizens Stacy Holcomb and her son, Preston, weave baskets during the Cherokee Nation Community and Cultural Outreach’s Cultural Enlightenment Series at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. STACIE GUTHRIE/CHEROKEE PHOENIX
Principal Chief Bill John Baker, right, plays a game of Cherokee marbles at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. The Cherokee Nation’s Community and Cultural Outreach hosted its Cultural Enlightenment Series at the community that included marbles and basket weaving. STACIE GUTHRIE/CHEROKEE PHOENIX

Briggs ᎣᎦᎵᎰᎹ. – ᏣᎳᎩ ᎠᏰᎵ ᏍᎦᏚᎩ ᎠᎴ ᏄᏍᏛ ᎤᎾᏕᏅ ᎤᎾᏙᏯᏅᎯᏛ ᎤᏂᏩᏛᎲ ᎢᏳᎾᏛᏗ ᏧᏂᏍᏕᎸᏗ ᏣᎳᎩ ᎠᏰᎵ ᎠᏁᎳ ᎠᎴ ᎾᎥ ᏍᎦᏚᎩ ᎠᏁᎳ ᎤᎾᏕᎶᏆᏍᏗ ᎤᎪᏛ ᎾᏍᎩ ᎠᏂᏣᎳᎩ ᏄᏍᏛ ᎤᎾᏕᏅ ᎾᎿ ᏄᎾᏛᏁᎵᏙᎸ ᏓᏁᏲᎲᏍᎬ ᏄᎵᏍᏔᏅᏒᎢ.

ᎾᎿ ᏄᎵᏍᏔᏅᏒᎢ ᎤᏂᏍᏆᎸᎡᎰ ᏔᎵᏁᎢᎦ ᏔᎵᏁᎢᎦ ᎾᎿ ᏏᏅᏓ ᏂᏕᎵᏍᏔᏂᏒ, ᎠᎴ ᎫᏰᏉᏂ ᎠᎴ ᎾᎿ ᏒᎵᏍᏔᏅ ᎾᏍᎩ TRI ᏍᎦᏚᎩ ᏧᎾᎵᎪᎯ W.E.B. ᎠᏓᏁᎸ (Welling, Eldon and Briggs) ᎾᎿ Briggs. ᏓᎾᏁᎶᎲᏍᎬ ᏗᎦᏓᏲᏍᏗ, ᏔᎷᏣ ᏓᏅᏍᎬᎢ ᎠᎴ ᎾᎾᏛᏁᎲ ᎠᏂᏐᎢ ᏏᏓᏁᎸ ᎠᎴ ᏳᎾᏛᏗ-ᎤᏓᏅᏘ ᎠᎾᏛᏁᎲᎢ.

CCO ᏧᏓᏘᎾᎢ Rob Daugherty ᎤᏛᏅ ᎾᏍᎩ ᏌᏊ ᎢᏳᏓᎴ ᎾᎿ ᎤᎪᏓ ᎨᏒ ᏗᏍᎦᏚᎩ ᏓᏁᏙᎲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎾᎿ ᏓᏘᏂᏙᎰᎢ ᎾᎿ ᏂᎦᏚ ᏗᏍᎦᏚᎩ ᏚᏙᏢᏒᎢ.

“ᎯᎠ ᎾᎿ ᏌᏊ ᎠᏓᏁᎸ ᎾᏍᎩ ᎣᏥᏍᏕᎸᎲ ᎣᎦᎴᏅᎲ ᎣᏥᏟᏏᏍᎬ ᎾᏍᎩ ᏗᏐᎢ ᏚᏙᏢᏒ ᎾᎿ ᏣᎳᎩ ᎠᏰᎵ,” ᎠᏗᏍᎬ. “ᎾᏍᎩ ᏓᏟᎶᎥ ᎢᎬᎾᏕᎾ ᎢᎸᏍᎩ ᏓᏓᏁᎸ ᎾᎿ ᎣᏤᏙᎰ ᏙᎩᎸᏫᏍᏓᏁᎰ ᎾᏍᎩ ᏦᏍᎪ ᏧᏁᎳ ᏗᏍᎦᏚᎩ ᏓᏓᏁᎸ ᎾᏍᎩ ᏙᎩᎲᎢ. ᎤᎪᏓ ᏗᏍᎦᏚᎩ ᏙᎩᎸᏫᏍᏓᏁᎰ, ᎠᏎᏃ ᎯᎠ ᏌᏊᎢ.”

Daugherty, ᏚᎦᏙᏍᏛ ᏓᏂᏓᏲᎯᎲ, ᎠᏗᏍᎬ ᎠᎵᎮᎵᎪ ᏍᎦᏚᎩ ᏚᏙᏢᏒ ᎾᏍᎩ ᎾᎾᏛᏁᎰ ᏓᎾᏁᎶᎲᏍᎪ.

“ᎢᎦ ᎣᏣᎵᎮᎵᎪ ᎯᎠ ᎣᎦᏓᏡ Ꭼ ᎠᎭᏂ ᎤᎾᎴᏅᎲᎢ ᏓᎾᏁᎶᎲᏍᎬ ᏗᎦᏓᏲᏍᏗ. ᎤᏂᎩᏒ ᎾᏍᎩ ᏌᏊ ᎪᎯᎦ ᏧᎾᏁᎶᏅ, ᎠᎴ ᏃᏊ ᏣᎳᎩ ᎠᏰᎵ ᎪᎯ ᏥᎩ ᎠᎴ ᎾᏍᎩᏃ ᎤᏂᏍᏆᎸᎡᎰᎢ,” ᎠᏗᏍᎬᎢ.

“ᏃᏌᏂᏱ ᎯᎠ ᏗᎾᏁᎶᎲᏍᎩ Ꮭ ᎪᎱᏍᏗ ᏱᎩ ᎯᎳ ᎢᏣᏕᏘᏴᏓ ᎨᏒᎢ. Ꮭ ᎪᎱᏍᏗ ᏱᎩ ᎯᎳ ᎯᎭᏔ ᏱᎩ. Ꮭ ᎠᎱᏍᏗ ᏱᎩ ᎯᏌᏑᏓ ᏱᎩ. ᎯᎠ ᏗᏁᎶᏗ ᏂᎦᎵᏍᏗᏊ ᎢᏴ ᏗᏣᏁᎶᏗ. ᎯᎠ ᏓᎾᏁᎶᎲᏍᎬ ᎤᏬᎸᏗ ᏗᏁᎶᏗ, ᎠᏎᏃ ᎾᏍᎩ ᏗᎧᎾᏩᏛᏍᏗ ᏗᏍᏓᏩᏛᏍᏙᏗ ᎯᎠ ᏗᏁᎶᏗᎢ. ᏧᎾᎵᎪᎯ ᎨᏐ, ᎠᎴ ᏧᎾᎵᎪᎯ ᏓᎾᏟᏃᎮᏍᎪ ᎾᎿ ᎤᏂᎲᏍᏗᎢ, ᎤᏩᏅᏍᏗ, ᎤᎵᏍᏛᎷᏗ ᎠᎴ ᎤᏂᎩᏍᏗᎢ.”

Daugherty ᎠᏗᏍᎬ ᎤᎵᏍᎨᏓ ᏣᎳᎩ ᎦᏬᏂᎯᏍᏗ ᎠᏅᏗᏍᎪ ᎾᎿ ᏄᎾᏛᏁᎸᏍᏔᏅ ᏧᏂᎶᏒ ᎦᏬᏂᎯᏍᏗ ᎠᏅᏗᏍᎪᎢ.

“ᎦᏬᏂᎯᏍᏗ ᎾᏍᎩ ᎤᏔᎾ ᎤᎵᏍᎨᏓ ᎤᎾᏙᏢᎯ,ᏌᏊ ᎢᏳᏓᎴ ᎾᏍᎩ ᎠᎩᏁᏍᏔᏅ ᎢᏳᏍᏗ ᏅᏛᏁᎲ ᎦᏬᏂᎯᏍᏗ ᎢᏛᏗᏍᎨᏍᏗ,” ᎠᏗᏍᎬᎢ.

John Sellers, TRI ᏍᎦᏚᎩ W.E.B Association ᎤᎬᏫᏳᎯ ᎠᏗᏍᎬ ᎠᎵᎮᎵᎬ ᏣᎳᎩ ᎠᏰᎵ ᎠᏂᎷᎬ ᏧᎾᏓᏁᎸ ᏧᏂᎪᏩᏛᏗ ᏍᎦᏚᎩ ᎠᏁᎳ ᏣᎳᎩ ᏳᎾᏛᏁᎵᏓᏍᏗ.

“ᎣᏤᏙᎰ ᏙᏣᏕᎶᏆᏍᎪ ᏌᏊ ᎢᏳᏩᎪᏗ ᏏᏅᏓ ᎨᏒ ᎾᎿ ᏣᎳᎩ ᎠᏰᎵ ᎤᎾᏓᏁᎸ ᎠᎴ ᎤᏂᎪᎲ ᎣᏥᏯᎥ ᎠᎴ ᎠᏂᏃᎮᏍᎬ ᎾᏍᎩ ᎤᏪᏔ ᏗᎦᏓᏲᏍᏗ ᏓᎾᏁᎶᎲᏍᎬ, ᎠᎴ ᎣᏣᏓᏛᏛᎲᏍᎬ ᏧᏂᏍᏓᏩᏛᏍᏙᏗ ᏚᏂᎲᎢ, ᏄᏍᏛ ᏯᏛᏗᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏁᏙᎰ ᎪᎨᏲᎲᏍᎪ ᎠᎴ ᎯᎠ ᏄᏂᏪᏒ, ᎾᏍᎩ, ᏏᏅᏓ ᎢᏳᏓᎵ ᏗᏠᎯᏍᏗ ᎨᏒ ᏙᏓᏲᏣᏠᏏ ᎠᎭᏂ ᎠᎴ ᏂᏓᏲᏣᏛᏁᎵ,”’ ᎠᏗᏍᎬᎢ. “ᏃᏊ, ᎾᎯᏳ ᎩᎶ ᏛᎤᎵᏃᎮᏟ ᎠᎴ ᎠᎨᏯ ᎤᏚᎵᏍᎬ ᏔᎷᏣ ᏗᎪᏢᏗ ᏧᏕᏲᏗ, ᏕᎯᏯᏐᏙᏯ ᎠᏆᏛᏅᎢ.”

Sellers ᎠᏗᏍᎬ ᎢᎦ ᎠᎵᎮᎵᎬ ᎾᏍᎩ ᏣᎳᎩ ᎠᏰᎵ ᏂᎦᏓ ᎯᎠ ᎾᎾᏛᏁᎲ ᎾᏍᎩ ᏍᎦᏚᎩ ᎤᏙᏢᏒᎢ.

“Ꮭ ᎡᎵ ᎢᎦ ᏱᎦᏥᏃᎮᎵ ᎾᏍᎩ ᎾᏛᏁᎲ ᏣᎳᎩ ᎠᏰᎵ,” ᎠᏗᏍᎬᎢ. “ᏝᏃ ᏱᎾᎦᏲᏣᏛᎦ ᎯᎠ ᏥᏃᏣᏛᏁ ᎾᏍᎩ ᏄᏙᏢᏒᎾ ᏱᎩ.”

ᎤᎪᏛ ᎠᏕᎶᎰᎯᏍᏗ ᏲᏚᎵ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ Enlightenment Series, visit www.facebook.com/CNCCO.

Culture

Mitchell’s metalwork finally hits its stride
BY BRITTNEY BENNETT
Reporter – @cp_bbennett
02/23/2018 08:00 AM
YUKON – Though it’s taken several years for Cherokee metal artist Tommy Roe Mitchell to find his stride, his distinctive style is now giving him the opportunity to pursue his passion while stepping out from his father’s shadow.

He grew up close to the art business, as his father Ron is a well-known Cherokee artist who began his career in the 1970s. While both have experience in metal art, Tommy said he’s now setting his work apart with painting and grinding techniques.

“Dad was doing metal artwork, but he wasn’t doing it to the extent that I am now, not with the color,” Tommy said. “He would actually cut the piece out, grind the edges and heat-treat it, but he wasn’t putting the grinding marks in it like I have. Dad never even thought about using the grinder the way I was doing, so already this was out of his league.”

Tommy said he usually draws inspiration from things he sees on television and YouTube. Once he completes a design on sketchpad, he transfers it onto poster board and then onto 14- to 18-gauge sheet metal with a magic marker.

The design is then cut with a plasma cutter before he uses a grinder to smooth jagged edges and polish out imperfections. Once satisfied, he grinds grooves into the metal to give the illusion of feathers and depth.

“I want a nice, smooth, flat surface to start creating, and that’s when I start with the grinding effects,” he said. “I want a three-dimensional look. People have come up to it and actually felt behind it because it looks thicker than it really is. It’s just the way the grinding is.”

Once the overall look comes together, Tommy heat-treats the piece or moves it to his paint booth before sealing it with an automotive clear coat for a smooth finish.

While expanding his range to include hummingbirds and cardinals, his roots lie in mythical symbolism, including his piece “Dance of the Phoenix.”

“Metal artists, they like doing the eagle feathers. I wanted to do something similar, but I don’t want to copy anybody’s work. We thought, ‘Phoenix, why not?’ Who knows what a Phoenix feather looks like? It’s a mythical bird so this is my interpretation of what the flaming feathers look like. It’s the bird that rose from the fire, kind of like me.”

In addition to creating versions of the phoenix, Tommy creates his interpretation of what individual feathers might look like on the creature. The feathers are called “Phoenix Spirit Feathers.”

He has also taken inspiration from Cherokee myths and legends, including that of the Raven Mocker, a feared witch that preys on the sick and frail.

“I was wanting something a little scary, and I started looking into the Cherokee myths, and we came up with something rather scary, which was the Raven Mocker,” he said. “That one is just a little more dramatic, a little more scary.”

Strangely enough, the blooming of Tommy’s metalwork came after being diagnosed with acute anxiety disorder. “When I was diagnosed with acute anxiety disorder, I did not want to rely on the medication. They gave me that to begin with, and I couldn’t take it. I struggled with that so we talked to a therapist, and he suggested art is a relaxing way of dealing with stress. So I thought, ‘OK, I can do this. This is something right up my alley.’”

Tommy said this is the first time his artwork has been something he “truly enjoys” and is “eager” for the public to see more. “I think they’re really nice-looking, and I feel really comfortable doing it. The greatest compliment on this artwork is when I take it to an art show and someone loves it so much that they’re willing to pay for it and take it home and hang it up on their walls. That’s the compliment that I like.”

For more information, visit www.dragonfiremetalart.net or search “DragonFire Metal Art” on Facebook.

Education

Hoskin earns NSU Centurions honor
BY STAFF REPORTS
02/22/2018 04:00 PM
TAHLEQUAH, Okla. — Cherokee Nation Chief of Staff Chuck Hoskin is being honored as one of nine Northeastern State University 2018 Centurions.

Centurions are individuals whose leadership and commitment, in the course of helping others, have made a significant impact during NSU’s history. Honors are given to university alumni, faculty, staff, students or any member of the NSU community, past or present, who impacted the NSU community or the public at large.

Hoskin graduated from NSU in 1982 with a bachelor’s degree in social sciences and earned his master’s degree in education in 1998. Along with his service to the CN as chief of staff, Hoskin served 12 years on the Tribal Council, between 1995 and 2007, and is now serving his sixth term as an Oklahoma State Representative for Dist. 6.

“Like so many Cherokees in northeast Oklahoma, my experience at NSU helped define my personal life, as well as my professional career as an educator and administrator. I am profoundly honored to be recognized as a Centurion by my alma mater, an institution where I earned both undergraduate and graduate degrees,” Hoskin said. “One of the most important lessons I learned at NSU is the value of public education. As a member of the Oklahoma House of Representatives and as a former Cherokee Nation Tribal Councilor, I have endeavored to make life-changing educational opportunities more accessible. I am proud of NSU, whose rich history is tied directly to the education of Cherokee Nation citizens, and hope its mission continues to flourish.”

Hoskin is a U.S. Navy veteran and a former Ironworkers Union Local 584 member. He also spent nearly two decades working in public education as a high school teacher and school administrator for Locust Grove Public Schools.

As chief of staff, Hoskin oversees Education Services and is an advocate for the tribe’s continued support of NSU. He is a member of the leadership team that contributed funding to restoration and enhancement efforts for NSU’s historic Seminary Hall.

“Chuck Hoskin’s selfless devotion to serving others is a model that few of us can match,” NSU President Dr. Steve Turner said. “He continues to impress me with his humility and tireless effort to improve the lives of Cherokee citizens and all Oklahomans. He embodies all the values of an NSU Centurion. I am honored to call him my friend and to participate in the ceremony of recognition for this honor.”

Hoskin resides in Vinita with his wife, Stephanie. He has three children, Amy, Chuck Jr. and Amelia, along with three grandchildren.

He and eight other new NSU Centurions will be honored during a March 6 luncheon at 11:30 a.m. at the NSU Event Center in Tahlequah. The luncheon is open to the public, and tickets are $25 per person. To reserve a seat, visit www.nsualumni.com/centurions or call the NSU president’s office at 918-444-2000.

Council

Hastings Hospital lease with OSU med school approved
BY KENLEA HENSON
Reporter
02/19/2018 02:30 PM
TAHLEQUAH – During its Feb. 12 meeting, the Tribal Council unanimously authorized a lease with Oklahoma State University’s Center for Health Sciences to put a medical school in the current W.W. Hastings Hospital after the new Outpatient Health Center opens.

“Cherokee Nation is joining with Oklahoma State University Center for Health Sciences, an entity within the Oklahoma State System of Higher Education, to bring health care education to W.W. Hastings Hospital in Tahlequah,” the resolution states.

The lease will encompass part of Hastings’ floor space and parking space.

Earlier in the day during the Resources Committee meeting, Dr. Charles Grim, Health Services interim executive director, said the leased portion would be located where the current physical therapy, diabetes, orthopedics and optometry locations are. Those departments will move to the new primary health care facility, which is expected to be finished in 2019.

Grim said because OSU is a state university the medical school would not have a Native American preference. However, he said the architecture within the remodeled facility for the school would highlight Cherokee culture. He also said officials would ask Indian Health Service to set aside scholarships and/or loan repayment for Native students wishing to attend the school.

“Its not really an Indian medical school per se, but it will be the first college of medicine campus on Indian land in the country,” Grim said.

Grim said the lease would be for seven years with the option to renew.

In other business, Cherokee Nation Businesses CEO Shawn Slaton told Tribal Councilors that CNB is preparing to break ground on April 1 on additional “projects” in the Cherokee Springs Plaza in Tahlequah.

In 2014, CN and CNB officials announced plans to build the plaza with venues for dining, shopping and gaming. In a previous Cherokee Phoenix article, officials said the plaza is anticipated to be 1.3 million square feet of mixed-use space, developed at an estimated cost of $170 million. Officials also said it was to be completed in three phases.

The tribe completed Phase 1 of the project in 2016,which included road construction and pad sites where businesses would be developed. Since then Taco Bueno, Buffalo Wild Wings, Sonic and Stuteville Ford have opened businesses at the site.

The next phase is the construction and relocation of Cherokee Casino Tahlequah, officials said. The new casino is expected to feature a resort hotel, convention center and golf clubhouse. The final phase includes the creation of a retail strip.

CNB has not confirmed a completion date as of publication.

Legislators also:

• amended the Concurrent Enrollment Scholarship Act of 2011 to revise the eligibility requirements,

• reappointed T. Luke Barteaux as a District Court judge,

• confirmed Dr. Charles Grim as a Cherokee Nation Health Partners board member,

• authorized the Vocational Rehabilitation Program to donate surplus equipment to the United Wrestling Entertainment Foundation in Cherokee County.

Health

CN receives Indian Health Services settlement funds
BY MARK DREADFULWATER
Multimedia Editor – @cp_mdreadfulwat
02/23/2018 04:00 PM
TAHLEQUAH – At the Jan. 17 Rules Committee meeting, Deputy Attorney General Chrissi Nimmo reported that the tribe was to receive settlement funds from the federal government. The settlement between the Cherokee Nation and Indian Health Service recoups contract support cost totaling more than $8.2 million.

The money was for unpaid support costs for 1998 in correlation to underpayments of more than $31 million, including interest and underpayments, between 2005 and 2013 and as a result of the Supreme Court case Cherokee Nation, et al v. Leavitt.

According to the 2004 Supreme Court opinion, the “Indian Self-Determination and Education Assistance Act authorizes the Government and Indian tribes to enter into contracts in which tribes promise to supply federally funded services that a Government agency normally would provide.”

It also states the act “requires the government to pay…a tribe’s ‘contract support costs’ which are ‘reasonable costs’ that a federal agency would not have incurred, but which the tribe would incur in managing the program…”

However, in that timeframe the opinion states the reasoning the government did not pay the contract support costs as promised is because Congress had not appropriated enough funds.

“In the first case, the Tribes submitted administrative payment claims under the Contract Disputes Act of 1978, which the Department of the Interior (the appropriations manager) denied. They then brought a breach-of-contract action,” the opinion states. “The District Court found against them, and the Tenth Circuit affirmed. In the second case, the Cherokee Nation submitted claims to the Department of the Interior, which the Board of Contract Appeals ordered paid. The Federal Circuit affirmed.”

Nimmo said the tribe had to cover the IHS contract costs that were denied by using CN General Fund dollars.

“There were questions about whether or not half of it will go to the newly created Sovereign Wealth Fund because that law says that half of all settlements will go there,” Nimmo said. “This money…the reason it all goes to the General Fund is because it was improperly expended. And I say improperly not in the sense that we did anything wrong, but we should have, in 1998, we should have gotten this money from the federal government to support IHS contracts. Because we didn’t, we had to spend general tribal dollars to support those IHS contracts. So this money goes into basically replenish tribal dollars that were spent to support federal contracts.”

Nimmo added that the Tribal Council is able to appropriate the recouped funds however it deems necessary.

“The $8.2 million settlement will go into the tribe’s General Fund, where it will help provide the expanded and improved health care services our citizens deserve.” Nimmo said. “Going forward, we expect contract support costs to be funded in full as designated by treaty and federal trust responsibility.”

Opinion

OPINION: CNB investment expands Cherokee language program
BY BILL JOHN BAKER
Principal Chief
02/01/2018 10:15 AM
Preserving the Cherokee language is preserving Cherokee identity, as the heritage and traditions of the tribe are rooted in our language. Our language allows us to pass along traditional Cherokee knowledge and values to our children and grandchildren. That is why I am so proud that Cherokee Nation Businesses has pledged unprecedented financial support to the Cherokee Language Master Apprentice Program.

Through a signed memorandum of understanding, CNB is providing $180,000 to cover the costs of a language program called the 14th Generation Master Apprentice Program, a pilot program designed for students who originally learned to speak Cherokee at the tribe’s Cherokee Immersion Charter School. We hope it encourages language usage as they progress through junior high and high school. CNB’s monetary commitment will further advance the preservation and usage of the Cherokee language, as graduates of the adult master apprentice program are placed in supervised teaching and mentoring roles.

The new endeavor can be a bridge that unites the mission of our Cherokee Immersion Charter School and the Cherokee Language Master Apprentice Program, which has graduated six students since it began three years ago and is expected to graduate six more students in 2018 and another eight students in 2019. Both programs have proven successful in their respective area, and now we can connect their goals and participants.

This multigenerational effort will help preserve and promote the use of the Cherokee language for generations to come and fill the gap between the immersion school and high school. Our youth, who have been educated in the immersion school, are among the most valuable Cherokee language assets going forward. We have made significant investments in these children, and we must keep exposing them to language-learning opportunities after completing the sixth grade. Now that we have graduates of the Cherokee Language Master Apprentice Program, we have developed an expert pipeline and grown the personnel to keep our youth engaged after immersion school graduation. That means language lessons can be utilized at Sequoyah High School as well as within community settings. Creating new Cherokee speakers, and in turn letting them pass along what they have learned, will keep our language flourishing for generations to come.

Supporting cultural education and growing the language curriculum will help Cherokee children succeed on their lifelong journey and allow them to reach their God-given potential in school, in life and as Cherokee speakers. The 14th Generation Master Apprentice Program already has about a dozen Sequoyah High School students gathering for lessons after school. Plans are in place for a summer program with participants gathering from 8 a.m. to 5 p.m. for 10 weeks. Those students, if they participate over multiple summers, could potentially get about 2,000 hours of language education just through summer participation. CNB continues to support the tribe in its pursuit of preserving Cherokee culture and heritage. Without the aggressive commitment from our tribal government and our business endeavors, the future of the Cherokee language would be in jeopardy.

People

Dreadfulwater continues loom-weaving tradition
BY LINDSEY BARK
Reporter
02/22/2018 08:15 AM
TAHLEQUAH – For the past 15 years, Cherokee Nation citizen Janice Dreadfulwater has been perfecting the craft of loom weaving that she learned from her sister-in-law and Cherokee National Treasure, Dorothy Dreadfulwater Ice.

Since she was 5 years old, Dreadfulwater said she’s always “dabbled” in some type of craftsmanship.

“I was sewing when I was like 5 years (old), making doll clothes. My first (craft) was sewing. Then I went over to crochet and cross-stitch. I’ve done some silversmithing, and I’ve done some beadwork. You know, I’ve dabbled in a lot of areas,” Dreadfulwater said.

Once she learned how to loom weave, she said she thoroughly enjoyed it.

“My first attempt was awkward, of course. But once I got the hang of it, it started going really fast,” she said. “It was just addictive.”

In a two-month span, she said she made approximately 20 loom-woven blankets.

Aside from making blankets, she makes scarves and shawls, but blankets are her specialty.

To loom weave, Dreadfulwater said she uses Ice’s loom. However, she’s making her own loom.

“One of my projects is to get my big loom together and hopefully have a place that I can put it. You’ve got to have the space in order to do it,” she said. “I’m in the process of putting one together. I’ve got the frame made, but as far as the hardware, that’s hard to locate for a larger loom.”

She said loom weaving one quilt can take anywhere from a day to a day and a half. “It takes (time) to get it all set up to start weaving, which I don’t like that part, but it’s necessary. The fun part is actually weaving.”

Dreadfulwater said she uses diamond, herringbone and non-traditional patterns in her work and different-sized yarn. She also said she’s never marketed her creations and has only sold one blanket. She said she mostly makes them for “enjoyment.”

“I’m proud to carry on the traditions that the Cherokee people have established and to be creative,” she said. “I just hope that whoever receives the blanket respects what labor of love that went into the project.”

Her donation to the Phoenix is a blanket with a diamond pattern. The drawing will be held April 2. For every $10 spent on elder fund donations, subscriptions or merchandise, one entry is entered in the quarterly giveaway drawing.

For more information, call Justin Smith at 918-207-4975 or email justin-smith@cherokee.org, or Samantha Cochran at 918-207-3825 or email samantha-cochran@cherokee.org.
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